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White House, Buzz Aldrin’s memorabilia from his Apollo moon missions, a Chagall painting and Ulysses S. Grant’s Civil War sword – which sold for $1.5 million. Then there are the items that are also expensive, but as Imhof notes, less serious. Items such as Anna Nicole Smith’s personal diary, which sold for more than $50,000; a lock of Cuban revolutionary leader Che Guevara’s hair, selling for$100,000; and a rare “Bride of Frankenstein” poster for more than $300,000. In total, Imhof spent 18 months

iconography on Aug. 14 at 5 p.m. in the gallery. She’ll discuss iconography as the “painting” of theology and explore its key artistic influences, figures and themes, as well as how icons are employed in Orthodox Christianity. Sievers’ work continues the centuries-old tradition of the Christian icon, a form with deep roots in the Byzantine and Orthodox Christian churches. Icons are the word of God in images, she explained. When “writing an icon,” iconographers must follow the canon of iconography

classical approach, utilized by artists for centuries, Gray paints to convey beauty and order. “Each painting is a step and a journey,” said Gray. To be an artist, Gray said, a person needs to possess natural ability and to hone that ability through education, experience, as well as trial and error. “It’s got to be a refined, honed communication,” said Gray. “It’s a craft.” Gray gathers inspiration from numerous sources, including cloud patterns, music, or witnessing acts of kindness. He is inspired by

scale and collaborative effort distinguishes this work. 2nd place: The Pose Juxtaposed (5 panels) Artist: Jamie Dones This multi-panel painting is ambitious and intriguing. The technical skills demonstrated in this work adds to the conceptual strength. The narrative is mysterious and engages the viewer. 3rd place (a tie): Surreal Beach Dreams Artist: Lisa Moxcey This captivating portrait engages the viewer with its strong composition and beautiful quality of light. Excellent use of a shallow depth

landscapes, as a backdrop for human interactions, and as a metaphor for love, longing, grief, joy, and other big human emotions,” shared Margaret Bullock, Curator of Collections and Special Exhibitions. He sought to live and work by the sea, often painting outdoors in the Norwegian landscape. Munch would likely have felt at home on Puget Sound. This exhibition honors Pacific Lutheran University’s 125th anniversary and Norwegian heritage.  “The university reached out to TAM as a fellow cultural

provided by the David Joyner Trio (Joyner is a member of the PLU music faculty). Museum galleries will be open and PLU alumna Abby (Buck ’03) Houston will demonstrate her oil painting throughout the evening in the Open Art Studio. Read Previous Documentary offers look at drug, weapons trade Read Next Conservation is God’s work COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad blocker enabled or are currently browsing in a "private" window. LATEST POSTS

. My father, a Lutheran pastor, was also a craftsman and amateur artist, creating everything from furniture to great welded steel monstrosities. There were always opportunities to hold, sand, weld or fix something in the garage. In high school, my parents enrolled me in drawing and painting classes at one of the local community colleges, and it was all of these experiences that eventually led me to the art department at the University of Kentucky. I graduated with a Bachelor of Fine Arts degree

Artistic Achievement Award in more than one area. Can I submit more than one application? Yes, you may apply for more than one Artistic Achievement Award, which are offered in Dance, Music, and Theatre in addition to Art & Design. However, your applications will need to be entirely separate and you will need to prepare all of the necessary application materials for all areas. On the other hand, if you have multiple interests among our Art & Design programs (Ceramics, Graphic Design, Painting

one of the children chosen to come here,” he said. David Akuien ’10 admires a painting series in Mortvedt Library on world conflict. The painting is by Nick Butler. Life at PLU wasn’t automatically easy for Akuien. He felt different. He was different. He’d sit in a class and hear the problems his fellow students would talk about and realize how disconnected they were from the horrors of his past. “I didn’t identify with anybody,” he said, “That was the thing that frightened me.” But through the

Picasso, Frida Kahlo, and Colin Chillag. Picasso and Chillag’s work leads me to question how to effectively in create a painting with missing information, while still making it look finished. I am particularly interested in their use of negative space and redrawing with charcoal. As for Frida Kahlo, her work exploring direct interactions with herself and past experiences, such as The Two Fridas, offers inspiration as to how I can portray my grandmother experiencing her memories, while simultaneously