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Picasso, Frida Kahlo, and Colin Chillag. Picasso and Chillag’s work leads me to question how to effectively in create a painting with missing information, while still making it look finished. I am particularly interested in their use of negative space and redrawing with charcoal. As for Frida Kahlo, her work exploring direct interactions with herself and past experiences, such as The Two Fridas, offers inspiration as to how I can portray my grandmother experiencing her memories, while simultaneously
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primary composer of English church music from the late Renaissance. O beatum et sacrosanctum diem is a joyous Christmas motet from his 1612 collection Canciones Sacrae. Philips uses word painting throughout the work, as the voice parts imitate the sounds of instruments and hosts of angels singing endless praise. Philips was one of the most prolific Northern composers of Latin sacred choral music, with a few hundred surviving motets. British composer Alan Bullard composed the cheerful carol Glory to
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. The device recycles the pollutants and turns them into reusable inks. Along similar lines, AIR-INK is a recycler used for projects like painting. I’m expecting this practical invention to win some gold come April. Need a Refresher on Edison? If you’re suddenly realizing that you don’t know as much about master inventor Thomas Edison as you should, maybe its time to read a good biography of the man and his talent for teaming and recognizing good ideas. A great place to start is the classic
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benefits. PLU has A LOT of active clubs (more than 50!) where you can build your communities, connect with an affinity group, explore interests and talents, and develop your leadership skills. Two student-led clubs with a specific focus on mental well-being are Active Minds and the Student Neurodiversity Club. Active Minds is a club dedicated to changing the conversation surrounding mental health. They host yoga sessions and painting classes to connect with other Lutes. The Student Neurodiversity Club
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. “When people look at painting or artifact, rarely do they think about disability,” Llewellyn Ihssen says. “But if you have those who identify as disabled as part of the curatorial process, there’s a new lens of curation for museum items.” In addition, people with disabilities can offer assistance in making a museum space more equitable and accessible. For example, display cases might come with audio recordings for the neurodivergent and braille for the blind. “Although not a permanent resident nor
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preparing to hold his second solo show with the Linda Hodges Gallery in November. But it wasn’t an accident that Mangan succeeded in living as a full-time artist; it took a lot of hard work, self-motivation and discipline; the road was not devoid of challenges. Where has life taken you since leaving PLU? Immediately after graduating from PLU I spent a year as a Fulbright Fellow in painting at the Academy of Fine Arts in Munich, Germany. Next was grad school, first at Central Washington University and
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