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(4) SPED 520: Teaching Students with Special Needs (2) J-term (January): Classes will be offered in the afternoon/early evening with the possibility of meeting times on Saturdays. Students will continue their practicum from the Fall. EDUC 528: Reading and Writing Across the K-8 Curriculum (2) EDUC 564: The Arts, Mind, and Body (2) Spring Semester (February – May): Students are full-time in their student teaching placements and attend a student teaching seminar at PLU one night a week. EDUC 563B
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,Lizard Boy is a “somewhat-autobiographical solo-show-with-three-actors” that follows a boy with lizard skin who fights evil and learns about love. Huertas attributes some of his triple-threat skills in performing, composing and writing to his theatre education at PLU. “Doing theater at PLU was awesome!” he said. Specifically, Huertas recalls that the study of Shakespeare and the Theatre Program‘s emphasis on language “stuck with [him] forever.” “How does this language inform what the characters are
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rock and roll. Her diverse artistic collaborations have helped to infuse her work with a rhythmic power and intensity. Critics have remarked of Ms. Fujiwara’s music, “The ear is forever tickled by beautifully judged music that manages to be sophisticated and accessible at the same time,” “Contains a very rare attribute in contemporary classical music: happiness.” (Fanfare Magazine); “She knows how to exploit all the resources of string instruments alone and together; her quartet writing is very
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rock and roll. Her diverse artistic collaborations have helped to infuse her work with a rhythmic power and intensity. Critics have remarked of Ms. Fujiwara’s music, “The ear is forever tickled by beautifully judged music that manages to be sophisticated and accessible at the same time,” “Contains a very rare attribute in contemporary classical music: happiness.” (Fanfare Magazine); “She knows how to exploit all the resources of string instruments alone and together; her quartet writing is very
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during the second half of the University Wind Ensemble’s performance in Lagerquist Concert Hall on March 20. Written by composer Daron Hagen, the piece was commissioned by PLU, the University of Michigan, Illinois State University and Western Illinois University. The composer of operas, chamber and orchestral works, and over two hundred art songs and cycles, Hagen is currently writing an opera based on the life of Amelia Earhart for the Seattle Opera. Hagen was the subject of band director Ed
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described it, he “pushed the re-set button.” He decided to earn his master’s – then his Ph.D. – in European history. And soon thereafter, he found himself back at his alma mater teaching about Martin Luther and Reformation Germany (and writing books about the subject, of course). He realizes it is an odd combination: Not many people are experts in cutting-edge computer programming and 500-year old political and religious history. He’s also aware that some people might suggest that, in studying 16th
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with lizard skin who fights evil and learns about love. Huertas attributes some of his triple-threat skills in performing, composing and writing to his theatre education at PLU. “Doing theater at PLU was awesome!” he said. Specifically, Huertas recalls that the study of Shakespeare and the Theatre Program‘s emphasis on language “stuck with [him] forever.” “How does this language inform what the characters are going through? That’s something I’ve always been very fascinated by.” Huertas also used
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Professor Rick Barot, Director of the MFA program, long listed for National Book Award PLU’s Master of Fine Arts in Creative Writing, also known as the Rainier Writing Workshop, is a three-year program offering one-on-one faculty to student mentorship. Professor Rick Barot, Director of the MFA program, believes the program’s strength lies in its strong community of diverse writers… May 13, 2021
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. Was there a learning curve? A huge learning curve. I was terrified and excited, especially working with such amazing people. And writing for the human voice — I had sung in choirs but opera was a whole new musical world. It was very humbling in a lot of ways. I studied a lot, listened to a lot of singers, wrote a lot, shared with Stephen, wrote again, shared again. The opera was workshopped twice with the singers and that was the biggest education for me because I was getting immediate feedback
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learned he was out of options in his longtime fight for his life. Drews has faced a 14-year battle with multiple myeloma, a cancer formed in the body’s plasma cells. His last hope is a clinical trial at Fred Hutchinson Cancer Research Center in Seattle, with the half-a-million price tag. “I got 14 years,” he said. “I’m hoping to get more.” Drews recently graduated from Pacific Lutheran University’s Rainier Writing Workshop, the low-residency Master of Fine Arts program in creative writing, after
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