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Kondonassis; A standard solo of student’s choice JAZZ Play a Jazz Standard (defined as a jazz composition, e.g. “Blue Monk”) or a piece from the Great American Songbook commonly used as a vehicle for jazz (e.g., “All of Me”) following the form described below: HORNS Play one chorus of melody, and one or two chorus(es) of improvised solo. We suggest that you use a play along audio file such as iReal Pro PIANO AND GUITAR Either unaccompanied jazz solo piece (including an improvised section); OR Play one

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Add Edit Remove Back New Delete PLU Honor Strings Orchestra Form Music Site Menu Home About Areas of Study News Future Students Degrees and Majors Scholarships Current Students Musician Health and Safety Faculty & Staff Ensembles Instrumental Ensembles Vocal Ensembles Ensemble Placement Auditions Workshops High School Woodwind Workshop Orchestra Festival High School Brass Workshop Northwest High School Honor Band PLU Honor Orchestra for Strings Invitational Choral Festival PLU Invitational Band

her. “There’s a lot of energy in this [album],” Aikin told Black Entertainment Television . “I feel like I was actually able to put my voice, my words and my thoughts into this one.” Aikin has won awards with her powerhouse voice, including two Stellar Awards for her previous release, a self-titled album from January 2009. While a student at PLU, Aikin performed in University Chorale and the Choral Union under Director Richard Nance. Aiken graduated in 1997 with a degree in Biology and Psychology

& Creative Interest Meeting Times & Places (Subject to Change): When: Every second Saturday from 10am-11am Where: PHLC Black Box Theatre Club Email: apo@plu.eduAmerican Choral Directors Association (ACDA)Description: Welcome to PLU ACDA! We are a passionate community of choral music enthusiasts dedicated to nurturing the growth and development of future choral music educators. Our chapter provides a range of valuable opportunities, including regular seminars and workshops designed to enhance your

, this piece is designed by chaos, meant to be fun, but also very specific. The dancers analyze the story into dance through the process of dramaturgy, the technique of dramatic composition and theatrical representation. This is what defines Vonnegut’s description of female shorthand typing pools in the 1950s. However, Winchester’s choreography itself is not the focus of the program but rather a small part that stresses rich opportunity, diversity and education for students and the community

Potential Marine Iron Fertilization from Pacific Ocean Volcanic Systems Isabel LaRue This project researched which volcanic arcs along the Pacific Ocean have the potential to induce marine primary productivity through iron (Fe) fertilization. To do so, published datasets of volcanic geochemical composition, ash deposition rates, and ocean Fe-limited zones were compiled and analyzed to assess the potential for iron fertilization. Arcs along the coast of Alaska and Asia were determined to have the highest

audition” below. How should I prepare a jazz piece for a scholarship audition?Audition performances for music scholarships are only five minutes long, whether you perform live at PLU or submit a recording. If you are performing a jazz piece for your scholarship audition, here are some guidelines: Whether you are a jazz vocalist or instrumentalist, you should prepare a jazz “standard,” defined as a jazz composition (ex.: “Blues Bossa”) or a piece from the Great American Songbook commonly used as a

, “which is really exciting.” Ally Atwood and Katie Beck have the tremendous task of playing Cai Yan (performing alternate nights), alongside understudy Marissa Moultrie. Senior Sarah Martin, who plays Cai Yan, said it was “an honor and privilege to bring these characters to life for the very first time and to present such an incredible story.” In the orchestra, students play alongside faculty members. Brian Galante, associate director of choral studies, is the opera’s chorus master and one of the

she has worked as an interior designer. She is dedicated to travel across the United States and abroad, to tell her story and to honor the memory of victims of the Holocaust. Lauren E. Whitham Lauren E. Whitham, conductor, is serving as a Visiting Instructor of Music at PLU, during Brian Galante’s sabbatical leave.  She conducts the University Chorale and University Singers, and teaches undergraduate courses in choral music education. Ms. Whitham earned her Master of Music degree in Choral