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  • rather be doing than leading the policy work at Transportation Choices,” he says. “Who knows what the future has in store, but I’m incredibly thankful for where I’ve been able to go, and so excited to be back.” Zach Powers '10 Zach Powers '10 worked as PLU's media and content manager until April 2017. He holds a Master of Public Administration from The Evergreen State College and previously served as the director of marketing and communications for The Grand Cinema and Tacoma Film Festival, as a

  • . Holste first came to the South Sound as a PLU student, where she worked for Impact and studied away in Scotland, Paris and London. She earned her degree in Fine Arts-Graphic Design before working (and teaching) for the university and then worked as marketing director at the Grand Cinema, where she co-organized the first Tacoma Film Festival. Later she added her creative touches to community projects and nonprofit organizations before opening her own business, Side x Side Creative, eight years ago. “I

  • Gordon Associate professor in the School of Arts and Sciences at Ednicott College Jim Anderson Philip S. Weld Professor of Atmospheric Chemistry at Harvard University Ēriks Ešenvalds Composer Judy Sweet and Sharon Taylor Sports leaders Fiery Jade — Cai Yan World Premier Opera The Gamers Indie-Film Sensation Steinar Bryn Dialogue Expert Jess X. Chen Poet Jennifer Harvey Ph.D. and Professor of Religion Powell-Heller Conference for Holocaust Education Women and the Holocaust Brian Bannon CEO of the

  • including ecopoetics, realist fiction, speculative fiction, sf, creative nonfiction, blogs, film, performance, and public art. Course content varies. Course is repeatable once with different topic. (4) ENGL 395 : Studies in Literature, Gender, and Sexuality - IT, GE Study of literature through the lens of gender and sexuality. Students practice feminist and queer approaches to literature from a range of historical periods, genres, and 13 national/global contexts. Additionally, this course creates a

  • , 0.1 and 1 mA cm-1 but a lower energy density at 10 mA cm-1. We attribute this data to the diffusion barrier that was created by having an unintended crust of FeOx that formed on the surface of the FeOx-CNF, formed during the FeOx deposition process. The specific power of the FeOx-CNFs and FeOx-BC were not statistically different at all of the current densities. Impedance measurements displayed on a Nyquist plot showed that the FeOx-CNFs had a higher polarization resistance than the FeOx-BC. 3:10-3

  • By:Kari Plog '11 January 13, 2018 0 Keven Drews ’16 https://www.plu.edu/resolute/winter-2018/wp-co

  • story of Christ’s passion, the “greatest story every heard.” And hopefully, with this great new work, we will communicate it to our audience in a way that will be profoundly moving. Read Previous First-year student pulls from roots, helps introduce religious diversity to PLU through lecture series Read Next MediaLab receives national prize for latest documentary film about higher education COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad blocker

  • Convention Center — to help capture and share compelling stories with broad audiences. Joshua formerly served as the lead videographer for the prestigious student-media organization MediaLab, for which he helped produce film and edit long-form documentary projects. He is aiming to move into the video production industry post graduation. John Froschauer, photographer John will soon hit his sixth year at PLU. Prior to his time at the university, he spent 15 years working for himself with a main client

  • artistic collaborations? Departing from a brief historical view of art as a way to chronicle plagues and other catastrophes, this session will look specifically at four examples across global film and theatre, Latin-American photography, and Mexican storytelling that invite us to reflect on art in its potential to heal and on its commitment to social justice. COURSE FACULTY AND PANELISTS Michael ArtimeBrian BeerbowerMichelle CeynarCorey CookSuzanne Crawford O’BrienMary Ellard-IveyEvan EskewSergia

  • created in times of disease? What does humanness look like in these recent artistic collaborations? Departing from a brief historical view of art as a way to chronicle plagues and other catastrophes, this session will look specifically at four examples across global film and theatre, Latin-American photography, and Mexican storytelling that invite us to reflect on art in its potential to heal and on its commitment to social justice. COURSE FACULTY AND PANELISTS Michael ArtimeBrian BeerbowerMichelle