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into account for your scholarship application. Keep in mind these important considerations: Music scholarships are awarded in a single specific area (e.g., voice, or cello). Submitting audition recordings in multiple areas will not increase the amount of your award. All music scholarships require successful participation—each semester—in private lessons and, by audition and placement, in a scholarship ensemble in the area of your award. You may certainly take lessons in a secondary area, or
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airfare, hotels, etc are accounted for. But clicking a few buttons on the computer allowed Dr. Lyman to virtually visit students in Ohio and for Dr. Bekeny to “drop in” to the PLU Trumpet studio. Our PLU students enjoyed the experience and Dr. Lyman has already lined up a guest lecturer for spring—one with international clout! Read Previous Music Lessons in the Time of Corona Read Next It’s Music to My Ears: Tips for Scholarship Applicants LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna
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International Star Imparts Wisdom to Operatic Lutes Posted by: Sandy Dunham / March 3, 2015 Image: Opera star Stephanie Blythe works with student Eric Olson ’15 during a master class at PLU. (Photo: Matthew Salzano ’18) March 3, 2015 By Matthew Salzano ’18PLU Marketing & CommunicationsTACOMA, WASH. (March 2, 2015)—Internationally known mezzo-soprano Stephanie Blythe gave more than just singing lessons to five lucky Lutes.When Blythe visited campus on Feb. 23 to deliver a master class, she held
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Sakai 2.9: A Look-Ahead to New Features Posted by: Jenna S / April 22, 2014 April 22, 2014 by Layne Nordgren and Sean Horner New in Sakai 2.9 In a previous blog post and a corresponding email sent to all PLU employees last month about the Sakai upgrade to version 2.9 on Fri., June 6, we had alluded to forthcoming details about the new Lessons tool and other new features to expect from Sakai 2.9. Those details are now available. You can refer to them in the Sakai support site on a new page: New
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can be applied to many areas of social life and policy.Tell me about your experience as a non-degree-seeking music student. That was the first time I ever sang in choir [after voice lessons in high school]. I was in chorale. This year, I’m ending my time at PLU as a member of Choir of the West. How did serving as a Wild Hope Fellow affect you? It changed the way I view my engagement with the world. It gave me tools for vocational discernment and helped me clarify a lot of things. The reason why
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lot of Filipino culture is just music and dance and sharing that.” What started as singing karaoke at family parties and listening to her parents sing in church choir was soon complemented by instruction in trumpet and conducting. Though Delos Reyes initially wanted to go into conservation—“and be Steve Irwin,” she says, laughing—it was PLU alumnus and band director at Tacoma’s Meeker Middle School, Micah Haven ’09, who pointed out that Jessa had a natural inclination to lead. “Planting the seed
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September 24, 2014 PLU Professor/Olympic Coach Colleen Hacker is 1st Female Recipient of Prestigious International Applied Sport Psychology Award By Sandy Deneau Dunham PLU Marketing & Communications Dr. Colleen Hacker, PLU Professor of Kinesiology and five-time Olympic coach, has been selected to receive the prestigious Association for Applied Sport Psychology (AASP) Distinguished Professional Practice Award. There have been only six previous recipients of this award since its inception in
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the resident faculty brass ensemble at Pacific Lutheran University. Members include Zachary Lyman and Edward Castro on trumpet, Gina Gillie on the French horn, Rebecca Good on trombone, and Paul Evans on tuba. Its members teach private lessons at PLU and are all active solo, chamber, and orchestral performers throughout the Pacific Northwest and beyond. The players enjoy performing a wide range of repertoire from the Renaissance to the twenty-first century, including several works that have been
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,” she says. “A lot of Filipino culture is just music and dance and sharing that.” What started as singing karaoke at family parties and listening to her parents sing in church choir was soon complemented by instruction in trumpet and conducting. Though Delos Reyes initially wanted to go into conservation—“and be Steve Irwin,” she says, laughing—it was PLU alumnus and band director at Tacoma’s Meeker Middle School, Micah Haven ’09, who pointed out that Jessa had a natural inclination to lead
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pieces of the writing of American choral composers at the time. Both feature virtuosic parts for trumpet and piano. Two works by Felix Mendelssohn, Richte mich, Gott, Op. 78, No. 2, and Mitten wir im Leben sind, Op. 23, No. 3, present profound statements of faith in glorious music. Guest artists and PLU faculty members Oksana Ezhokina (piano) and Zachary Lyman (trumpet) will travel with the Chorale. “In addition to being a superb pianist, Oksana is a wonderful collaborator: it often feels like we’re
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