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coordinator of the University Gallery & PLU Permanent Art Collection, overseer of the annual Studio Art, Design, & Media Artistic Achievement Awards, and manager of equipment, supplies, and repairs for all art and design studio area courses. Mathews’ service extends beyond PLU, where her role as co-coordinator of Visual Culture for the German Studies Association highlights her commitment to interdisciplinary collaboration. She leads with inclusivity and democratic practice. Her extraordinary service

in four years. That compares to a statewide four-year graduation rate of only 67 percent for Native American students. “CTE is one piece of a big puzzle” that’s helping get kids across the finish line, Nelson says. “It’s exciting to be part of a group of people making change for kids.” The school focuses on guiding students to academic success while embracing their Native American culture, and tribal culture and perspective are woven throughout the curriculum. The school week opens each Monday

Amazon,  MultiCare Health System, City of Tacoma, Port of Tacoma, and Educational Service District 113.About Chief Leschi SchoolsChief Leschi is one of nearly 200 tribal schools in the United States. Operated by the Puyallup Tribe of Indians, it enrolls 670 students in preschool through high school.  Visual representations of Northwest Native culture and art are present throughout the school, and the curriculum is infused with the tribe’s cultural heritage. The architectural design of the campus

their sport.” Upon returning to campus each student-athlete received a shirt that read: “Together we will.” The motto was chosen to convey a culture that encourages every student-athlete to do their part to keep one another healthy and able to play. This includes wearing masks, practicing social distancing and coordinating bus seats and roommates to limit exposure.Campus Status DialLearn more about the campus status dialThe campus status dial is a visual representation of our staged approach to

and features fractal snowflakes. Sklar currently works with artists and mathematicians creating Tess’s ceramic shell, knitted arms and legs, and a fabric-and-brass-rod kite accompanying the tortoise.  Mathemalchemy is Sklar’s newest exploration of the connections between art and math. In 2007, Sklar exhibited photographs depicting visual metaphors of abstract algebraic concepts, and in 2017, The Journal of Humanistic Mathematics published her “love poem for mathematics.” In addition to her work

-center/ | wang.center@plu.edu | 253-535-7577 Lutes Away | Global Classroom | People and Culture | Scenes from Around the World | Wang Center Staff Pick Lutes Away CategoryYour Lute spirit doesn’t stop once you leave campus. Qualifying photos for this category must include PLU students, faculty, and/or staff. Ideally, your photo should include Lutes in a learning environment – even better if they are wearing Lute gear!1st Place Abbie Hughes “One Nation” Lutes visited Port of Spain, the capital of

February 1, 2008 Conference unites art and religion Artists, musicians and scholars will gather on campus for PLU’s second “Art, Religion and Peace Conference” Feb. 12 and 13.Last held in the spring of 2005, the conference explores ways in which the visual and musical arts of religious communities promote justice and peace.“The arts have been an integral part, and remain an integral part, of religious traditions, both historically and today,” explained religion professor Samuel Torvend. Visual

undergraduate education, please contact the Wang Center for Global Education. Wang Center | www.plu.edu/wang-center/ | wang.center@plu.edu | 253-535-7577 Lutes Away | Global Classroom | People and Culture | Scenes from Around the World | Wang Center Staff Pick | Videos Lutes Away CategoryYour Lute spirit doesn’t stop once you leave campus. Qualifying photos for this category must include PLU students, faculty, and/or staff. Ideally, your photo should include Lutes in a learning environment – even better if

to a variety of semi-automated processes. By exposing prints to obscure chemicals and the flow of water, using simple machines to create exposures on gelatin silver paper, or twisting paper into dramatic new forms, my work becomes a physical collaboration between myself and the processes themselves. This surrender to external elements allows for the genesis of unique visual decisions which form each one of a kind piece. At the same time, my work is also saturated with deeply personal emotion

visual likenesses. The portrait paintings come from the theft of Johnson’s phone this summer when he realized he still has a very strong connection to these visual likenesses and tried to reclaim the stolen images on the phone as his. “I am trying to reconnect with family and friends on a more personal level again,” Johnson says. “This body of work has helped me to realize this need.” Johnson will showcase approximately 18 works.  The exhibition will combine drawing, painting and small sculpture