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was that it applies just as much to mental tools. These are pieces that I have thrown for demonstrations in class, there are a lot of test pieces. The big, white blocky things are all molds that I use in my work, and some of those pieces are slip-casts and molded forms that are up above. It's a junk collector shelf. There are a few, kind-of-nice test pieces that are done. My favorite day of the week is Sunday night because I am coming back to the studio. My worst day of the week is Friday

having a few select students ‘sit in’ with the professional trio and see if they can hang with more mature musicians playing at a high level,” says Deacon-Joyner. Invitations to PLU Jazz Day have been extended to Seattle-area high-school jazz band directors and students, PLU music supporters and alumni. Organizers recommend that attendees arrive at Tula’s early to guarantee a seat at the intimate locale. Live In-Studio at KPLUWednesday, April 29The Jazz Sound Trio and students Zach Miller and Brandon

in the Studio Theater of the Karen Hille Phillips Center for the Performing Arts. Want to show off your spelling talents? Four audience volunteers are recruited before each performance to participate on-stage as guest spellers, making each performance as unique as the one before it. The willing contestants are chosen through a careful vetting process, utilizing pre-show lobby interviews and audience questionnaires. Tickets can be purchased at the Campus Concierge at 253-535-7411 or at the door

. Malick has sustained a 23-year relationship with Pacific Lutheran University, and looks forward to highlighting the First Peoples’ culture through this captivating performance.This event is co-sponsored by Pacific Lutheran University and Tacoma Public Schools. Cover image designed by Legacy Graphic Studio with slight modification by PLU Marketing and Communications. Click here to learn more about the Wang Center study away gateway to Trinidad and Tobago and Candice Hughes ’08, PLU Program Coordinator

in the Studio Theater of the Karen Hille Phillips Center for the Performing Arts. Want to show off your spelling talents? Four audience volunteers are recruited before each performance to participate on-stage as guest spellers, making each performance as unique as the one before it. The willing contestants are chosen through a careful vetting process, utilizing pre-show lobby interviews and audience questionnaires. Tickets can be purchased at the Campus Concierge at 253-535-7411 or at the door

The Museum of Glass Mobile Hot Shop comes to PLU Posted by: Mandi LeCompte / February 20, 2013 February 20, 2013 Offering both education and entertainment, the Museum of Glass Mobile Hot Shop will be traveling to PLU February 27, 2013. Join the glass artists in Red Square from 10:30am to 4pm to watch art happen. The Mobile Hot Shop truck is a fully equipped glass blowing studio holding everything needed to blow glass, including the cullet (scraps of clear broken glass gathered for remelting), a

experience, designed and produced completely by PLU students,” James Clifford, student director (Class of ’19). Blood Wedding runs February 28th through March 2nd at 7:30 p.m. and March 3rd at 2 p.m. in the Studio Theatre of the Karen Hille Phillips Center for the Performing Arts. Tickets are available online at Eventbrite. $5 – General admission; Free – 18 and younger. Blood Wedding is intended for mature audiences. Read Previous Sarah Seder: New Dance Faculty Read Next Revenge and Pies: Theatre’s

experience, designed and produced completely by PLU students,” James Clifford, student director (Class of ’19). Blood Wedding runs February 28th through March 2nd at 7:30 p.m. and March 3rd at 2 p.m. in the Studio Theatre of the Karen Hille Phillips Center for the Performing Arts. Tickets are available online at Eventbrite. $5 – General admission; Free – 18 and younger. Blood Wedding is intended for mature audiences. Read Previous Sarah Seder: New Dance Faculty Read Next Revenge and Pies: Theatre’s

arts credit) that she found her true calling and passion –acting. After that solo performance class, she took a private studio class, which led to key connections and a successful career in Hollywood, including nailing a non-speaking part in the FOX hit Glee, about outcast teenagers in a Ohio high school. “PLU was a warm community, that helped me sort through what I wanted to do,” Pansino, 25, told a group of students during a series of lectures and film screenings produced by MediaLab last week