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. Independent student shows outsource everything, even borrowing and making costumes. We used ticket sales to reimburse our designers. Kenzie was the main director, and I co-directed, particularly the scenes involving music. I did some choreographing and production work, which included poster design and distribution of money. How did things turn out? Ruggeri: It was successful and sold out the studio theater for the run of three days—two nights and one matinee. We also conducted a survey gauging the lessons

of air – the van had been sealed to maintain a constant humidity level – but Louvre’s famous resident was just fine. Eventually, the painting returned to the Paris museum – after being relocated six more times – with most of the rest of the Louvre collection. Most of the other artwork in Europe was not as fortunate, noted Assistant Professor of Art and Design Heather Mathews. Professor Heather Mathews talks about the plunder of art during WWll by the Nazis during the 2012 Holocaust Conference

they even contradict.” Navkiran “Navi” Randhawa Chemistry and Biology Tacoma, Wash. Randhawa loves this – she sees it as a way to engage in ideas she might not otherwise encounter if she spent all her time in the science building. This is by design. Whereas many universities, have programs that focus on global issues, what makes PLU’s truly unique, is that such issues are looked at from multiple perspectives and multiple disciplines – course material is drawn from at least two countries with

forth,” Gould said. “If you don’t leave the PLU dome, you’re not going to have these experiences.”   CONFRONTING PRIVILEGE Professor Beth Kraig said pushing students to confront their privilege was pivotal to the course’s design. That included requiring students to ride Pierce Transit buses ‒ either Route 1 or 45 ‒ to and from Lincoln for the weekly workshops. Students were encouraged to observe and interact with riders and write about their experiences. Those reflections will be included in the

knowledge, a feat that Heath and Rogers are acutely aware of. “I am a little terrified too because I know if i had to design a starship it would fail pretty quickly,” Heath quipped. “But at least I know the questions to ask and I know where we can start looking. And that is the point. To consider big questions, not really build a starship.” Lisa Marcus, professor of English, holds her grandmother's Russian passport from 1914. Her father's family likely would have perished in the Holocaust had her

” will vie for Oscar nomination in the Best Short Film (Live Action) category at the 2018 Academy Awards. The lengthy process involves competing against more than 100 qualifying films before the Academy narrows the nominee pool to five; Petersen hopes “All the Marbles” makes the cut. Petersen said his time studying theatre at PLU helped prepare him to write, produce and star in film projects. His says the education in makeup, sound, set design and a host of other production elements equipped him for

borrowing and making costumes. We used ticket sales to reimburse our designers. Kenzie was the main director, and I co-directed, particularly the scenes involving music. I did some choreographing and production work, which included poster design and distribution of money. How did things turn out? Ruggeri: It was successful and sold out the studio theater for the run of three days—two nights and one matinee. We also conducted a survey gauging the lessons the audience took away from the show. About a