Page 93 • (1,038 results in 0.019 seconds)

  • co-edited with Susannah Heschel, Betrayal: German Churches and the Holocaust (Fortress Press, 1999); plus 50 articles and/or book chapters. He expects his next book, Christians in Nazi Germany, to appear with Cambridge University Press in 2018. Ericksen is Chair of the Committee on Ethics, Religion and the Holocaust at the U.S. Holocaust Memorial Museum in DC. He serves on the Board of Editors of a German journal, Kirchliche  Zeitgeschichte, and of an online journal, Contemporary Church History

  • co-edited with Susannah Heschel, Betrayal: German Churches and the Holocaust (Fortress Press, 1999); plus 50 articles and/or book chapters. He expects his next book, Christians in Nazi Germany, to appear with Cambridge University Press in 2018. Ericksen is Chair of the Committee on Ethics, Religion and the Holocaust at the U.S. Holocaust Memorial Museum in DC. He serves on the Board of Editors of a German journal, Kirchliche  Zeitgeschichte, and of an online journal, Contemporary Church History

  • ensemble. Past tours have included Scandinavia, China, Australia, Spain, and Portugal, with performances at venues such as The Aula at the University of Oslo, Tivoli Gardens in Copenhagen, music conservatories in Beijing, Xi’an, and Shanghai, the Great Wall of China, Dizzy’s Jazz Club in Melbourne, Australia, and the Sydney Conservatory of Music. The ensemble repertoire includes traditional jazz big band works from all eras of the music, as well as new compositions and arrangements by contemporary

  • 380 : Modern Art - CX The development of art from 1900 to the present, with a brief look at European and American antecedents as they apply to contemporary directions. (4) ARTD 383 : Studies in Art History - CX A selected area of inquiry, such as a history of American art, Asian art, the work of Picasso, or similar topics. May be repeated for credit. (4) ARTD 387 : Special Topics in Art This course in intended for unique opportunities to explore artistic expression, provided by visiting artists or

  • , please contact the director of the PLU Writing Center, Rona Kaufman (kaufmard@plu.edu).Thesis StatementsClick Here!Integrating QuotationsClick Here!Literature AnalysisClick Here!Structure and OrganizationClick Here!Tone and VoiceClick Here!Avoiding PlagiarismClick Here!Citation/DocumentationClick Here!

  • ENGL 434 Seminar: Writing, Literature, and Public Engagement - SR ENVT 499A Capstone: Senior Project - SR ENVT 499B Capstone: Senior Project - SR ESCI 499 Capstone: Senior Seminar - SR FREN 499 Capstone: Senior Project - SR GLST 499 Capstone: Research Seminar - SR GSRS 499 Senior Capstone - SR HISP 499 Capstone: Senior Project - SR HIST 499 Seminar: History - SR IDST 499 Capstone: Research Seminar - SR KINS 499 Capstone: Senior Seminar - SR MATH 499A Capstone: Senior Seminar I - SR MATH 499B

  • Business BRITTANY RUSSELL (2015) Senior Content Marketing Manager, Amazon.com Major: English, Literature Concentration Minor: Communication How did your English major establish a foundation for your career path? My career path has spanned public relations, book publicity, and now content marketing. Writing, storytelling, and critical thinking are skills that I learned through my English major, and they’ve been essential in every stage of my career. What do you love about your job? My work as a

  • and as faculty in PLU’s low-res MFA program are my dream jobs! What was your favorite part about majoring in English? That part of my job as a student was to read literature and write poetry—I still do that for fun on my own!

  • In addition to policies and procedures for Sponsorship of Visiting Speakers and Public Performances and for Distribution of Literature, student clubs/organizations are expected to adhere to all rules and regulations established by PLU’s Campus Ministry Office. All registered student club/organization events must be congruent with the policies, objectives, and mission of the University. It is expected that events will be registered in accordance with the guidelines as stated in the Clubs and

  • its relevance for understanding contemporary issues of economic inequality. In my talk, which was entitled “Adam Smith and Jean-Jacques Rousseau on the Cultivation of the Moral Sentiments,” I focused on Smith’s suggestion that many of our everyday commercial behaviors threaten to erode our virtues in ways that would lead us to violate the economic liberties of others, leading to an increase in economic inequality that would, in turn, further erode our virtues. I then explored both Smith’s and