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., Horn Performance, Pacific Lutheran University, 2004 Areas of Emphasis or Expertise French Horn Horn Choir Ear Training Classes Music Appreciation Classes Responsibilities Applied French Horn Lessons, directs Horn Choir, teaches Ear Training and Music Appreciation courses, member of the Lyric Brass Quintet and Camas Wind Quintet Accolades Three Unaccompanied Pieces for Solo Horn (2005). Three pieces for unaccompanied horn that feature several extended techniques: I. Transcension, II. Song, III

or Expertise Flute Sølvvinden Flute Ensemble Music Fundamentals Camas Wind Quintet Responsibilities Applied Flute Lessons, Directs Solvvinden Flute Ensemble, Teaches Music Fundamentals, Member of Camas Woodwind Quintet, Director of the Summer Flute Workshop Selected Publications Two Muses Biography Jennifer Rhyne is Associate Professor of Flute and Music Theory at Pacific Lutheran University. She holds degrees from Oberlin College and Conservatory of Music, the University of Michigan, and Stony

Craig Rine Lecturer - Clarinet Phone: 253-535-7602 Email: rinecj@plu.edu Office Hours: (On Campus) Mon - Fri: By Appointment Professional Biography Education B.M., Clarinet Performance, Catholic University of America WA State Teaching Certificate, University of Puget Sound Master's Degree Coursework, Educational Technology, City University Responsibilities Applied Clarinet Lessons, Member of Camas Wind Quintet Biography Craig Rine is an Affiliate Artist and Lecturer at Pacific Lutheran

Francine Peterson Lecturer - Bassoon Phone: 253-535-7602 Email: petersfg@plu.edu Office Hours: (On Campus) Mon - Fri: By Appointment Professional Biography Education M.M., University of Washington B.M., San Francisco State University Responsibilities Applied Bassoon Lessons, Director of the Bassoon Ensemble, Member of Camas Wind Quintet Biography Francine Peterson is an Affiliate Artist and Lecturer at Pacific Lutheran University.  She is a member of the Northwest Chamber Orchestra and the

Zachary Lyman Professor of Music - Trumpet; Coordinator of Wind, Brass, and Percussion Studies Phone: 253-535-7612 Email: lymanzt@plu.edu Office Location: Mary Baker Russell Music Center - 113 Office Hours: (On Campus) Mon - Fri: By Appointment Website: https://www.plu.edu/trumpet Professional Biography Additional Titles/Roles Director of the PLU Trumpet Ensemble Music Theory and Analysis II and III Education D.M.A., Trumpet Performance and Pedagogy, The University of Iowa, 2007 M.M. with

Washington Husky Marching Band and the University of Washington Wind Ensemble (Seattle), Musica Grato Himi (Toyama, Japan), the Tamana Girls High School Band (Japan), the Graham-Kapowsin High School Band (Washington State), the Left Coast Brass Quintet (Seattle), and Seattle percussionist Tom Collier. Many of Miho’s past activities can be found at www.tymusicexchange.com.

Paul Evans Lecturer - Tuba Phone: 253-535-7602 Email: evansmp@plu.edu Office Hours: (On Campus) Mon - Fri: By Appointment Professional Biography Areas of Emphasis or Expertise Tuba Responsibilities Applied Tuba Lessons, member of The Lyric Brass Quintet Biography Paul Evans is the Principal Tuba of the Tacoma Symphony Orchestra and Lecturer of Tuba at Pacific Lutheran University.  An active performer in the Pacific Northwest, Paul also performs with the Northwest Sinfonietta, Bellevue

the American Brass Quintet; Allen Vizzutti, Yamaha Recording Artist; Alan Dean, Trumpet Professor Yale University, Member of the New York and St. Louis Brass Quintets; Tom Smith, New York Philharmonic; and Steven Hendrickson, Principal Trumpet with the National Symphony Orchestra.

the American Brass Quintet; Allen Vizzutti, Yamaha Recording Artist; Alan Dean, Trumpet Professor Yale University, Member of the New York and St. Louis Brass Quintets; Tom Smith, New York Philharmonic; and Steven Hendrickson, Principal Trumpet with the National Symphony Orchestra.

University of Michigan in 1987. His principal teachers have included Leslie Bassett, William Bergsma, William Bolcom and William Albright. He was awarded a Charles Ives Award in 1984 from the American Academy and Institute of Arts and Letters and has received annual awards from ASCAP since 1990.  His Scherzo for a Bitter Moon for band won the 1984 National Bandmasters Association contest and in 1990 his Fire Works for wind ensemble won the American Bandmasters Association Ostwald Award.  A choral work