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creates colored-pencil masterpieces.Born in rural Japan to Lutheran missionary parents, Kullberg lived there until she was 7 and has loved drawing for as long as she can remember. She said her parents were incredibly supportive, always making sure she had art materials even “when the budget was already stretched too tight, and there really was no extra money.” Arriving at PLU in 1975 from her new home in Oregon, Kullberg was drawn (pun intended) not to art but instead to classes in Japanese, thanks to

and connected to the worlds of work and research. Students complete drawing and improv exercises, work in teams, and learn the stages in innovation research. The process is fun for the teachers, as well as the students.   “Innovation Studies is by nature interdisciplinary,” said Professor Halvorson, director of the program. “Our students collaborate on problem solving by working and laughing together at the boundaries of art & design, business, economics, history, and other disciplines. The

", cssSelectorAncestor: "#player-91", swfPath: "/wp-content/themes/plu/library/js/jplayer/jquery.jplayer.swf", supplied: "mp3", useStateClassSkin: true, autoBlur: false, smoothPlayBar: true, keyEnabled: true, remainingDuration: true, volume: 1 }); }); Taking pictures is not allowed in the shrine space of the gurdwara so students are tasked with drawing what they see. This method aims to expand students’ perspectives on sacred space and religious reality. MariHa Casas shows her creation. PLU students participate in

the student exhibit ignited a curiosity to dive deeper into Munch’s background beyond “The Scream.” “You get an immediate visceral, emotional reaction,” he said of Munch’s art. “It punches forward.” Iverson’s work is emotional, but more complex — drawing on lots of details to evoke feeling. “I tried to pare it down to make it more simplistic,” he said. He is submitting two pieces, one he previously finished and another he is still working on. The works are meant to convey grief. One is

have taught in the University for a cumulative of 71 years. The collective 100 years represents each artist/teacher with more than 50 years of devotion to the visual arts, which began in high school, intensified in undergraduate work, became truly refined in graduate school, with MFA’s in studio art and continued for 30+ years of exhibiting and teaching. Dennis Cox’s career has involved drawing, printmaking and watercolor; his work focuses on the human figure, people and the human condition with a

at the “New York Academy of Art,” a figurative graduate school in Manhattan that teaches traditional techniques in figurative drawing, painting and sculpture.  The residency started in the beginning of June and lasted a month. There were 11 residents, mostly juniors from all over the world. During the residency we had classes in figure drawing from live models and lessons in painting the figure. We also had several guided tours to the major museums and galleries in the city. What has the

You Ask. We Answer. How is your Art & Design Program? Posted by: shortea / May 3, 2024 May 3, 2024 Curious about PLU's art & design program?With courses ranging from drawing to 3D digital modeling, our art and design program provides you hands-on experience to hone and expand your craft. In this session, hear from Dr. Heather Mathews, Chair of Communication, Media & Design Arts and Associate Professor of Art History, who talks about the art and design opportunities at PLU! Read Previous You Ask

research groups, including both experimental and computational researchers, drawing on University of North Texas’ world-class resources in both instrumentation and high-performance computing. In addition to a meaningful research experience, this program includes a career program involving career-active researchers at major international chemical companies, tours of local companies to see how chemistry plays a role, “hands-on” learning experiences and training in scientific communication (written and

browser or as an installed application, making it compatible with any computer. Work can also be saved to a cloud account, allowing for easy access and minimal file management. When finished with a design, work can be downloaded and saved as a file (image, PDF, or vector) for web or print purposes. Graphic tools include options for drawing, shapes, text, and layering. A trifold brochure created in Gravit Designer. To get started with Gravit Designer, navigate to https://www.designer.io/. Click the

Wave Off Kanagawa, ca. 1830 2020 version: Lagi Faamausili Original: Jean Honoré Fragonard, The Swing, 1767 2020 version: Lydia Boorsma Original: Marguerite Gerard, The Cat’s Lunch, 1780s 2020 version: Neala Mahlon Original: Jacopo Tintoretto (Robusti), Pontius Pilate Presenting Christ to the Crowd, 1546-1547 2020 version: Chencho Orta Original: Rogier van der Weyden, St. Luke Drawing the Virgin, 1435-1450. 2020 version: Isaac Luedtke Read Previous Faculty Feature: Meet Mare Blocker, Visiting