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  • Professor of Music - French Horn | Horn Studio | gilliegc@plu.edu | 253-535-7607 | Dr.

    Gina Gillie Professor of Music - French Horn Phone: 253-535-7607 Email: gilliegc@plu.edu Office Location:Mary Baker Russell Music Center - Room 339 Office Hours: (On Campus) Mon - Fri: By Appointment Website: https://sites.google.com/a/plu.edu/gina-gillie---hornist-composer-vocalist/ Professional Biography Additional Titles/Roles Ear-training I/II/III/IV Education D.M.A., Horn Performance, University of Wisconsin-Madison, 2009 M.M., Horn Performance, University of Wisconsin-Madison, 2006 B.M

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  • Lecturer - Saxophone | Music | steighev@plu.edu | 253-535-7602 | Praised by the Tacoma News Tribune for his “effortless lyricism” as well as his “smooth tone and fluid virtuosity,” saxophonist Erik Steighner has performed with ensembles including the Austin Symphony Orchestra, the Federal Way Symphony, the Northwest Sinfonietta, the Pacific Northwest Ballet Orchestra, the San Antonio Symphony, and Symphony Tacoma.

    , where his course load has included saxophone, chamber music, music theory, ear training, music appreciation, and digital music. He is also on faculty at the University of Puget Sound Community Music Department and is the founder and conductor of the South Sound Saxophone Ensemble. Steighner has premiered dozens of solo and chamber works and appears on CD releases from labels including Albany Records, Alea Publishing, Mark Custom, Naxos, Reference Recordings, and Vienna Modern Masters. Steighner

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  • Professor Emeritus | School of Music, Theatre & Dance | Paul Tegels retired in May 2023.

    Paul Tegels Professor Emeritus Website: https://www.plu.edu/organ/ Professional Biography Video Additional Titles/Roles Term of Service: 2002-2023 Education D.M.A., University of Iowa, 1997 M.A., University of Iowa, 1994 M.M., New England Conservatory, 1984 Organ Performance Diploma, Stedelijk Conservatorium, The Netherlands, 1982 Organ Pedagogy Diploma, Stedelijk Conservatorium, The Netherlands, 1980 Areas of Emphasis or Expertise Organ Responsibilities Applied Organ Lessons, Teaches Ear

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  • Professor Emeritus | Music | Paul Tegels retired in May 2023.

    Paul Tegels Professor Emeritus Website: https://www.plu.edu/organ/ Professional Biography Video Additional Titles/Roles Term of Service: 2002-2023 Education D.M.A., University of Iowa, 1997 M.A., University of Iowa, 1994 M.M., New England Conservatory, 1984 Organ Performance Diploma, Stedelijk Conservatorium, The Netherlands, 1982 Organ Pedagogy Diploma, Stedelijk Conservatorium, The Netherlands, 1980 Areas of Emphasis or Expertise Organ Responsibilities Applied Organ Lessons, Teaches Ear

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  • Lecturer - Jazz, Improvisation | Music | kate.olson@plu.edu | 253-535-7602 | Kate Olson is an improvising saxophonist and music educator based in Seattle, WA.

    was nominated in 2011 and 2013 for the Earshot Golden Ear Award in the Emerging Artist category, and in 2014 and 2016, she was nominated for the Best NW Instrumentalist Category, and in 2016 her band KO Ensemble was also nominated as best NW Alternative Group. In 2020 the KO Ensemble won the Golden Ear Award for best NW Instrumental Group and in 2022, KO Electric was nominated for Best Alternative Group.

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  • Professor of Psychology | Department of Psychology | moritsjn@plu.edu | I am a community psychologist and a clinical psychologist by training.

    ) Lead author of Psychology of Adjustment: The Search for Meaningful Balance, with Elizabeth Vera, Jane Harmon Jacobs and Melissa Kennedy (Sage 2016) Lead author of Fifth edition Community Psychology, with Elizabeth Vera, Frank Y. Wong and Karen Grover Duffy (Pearson 2013) Biography I am a community psychologist and a clinical psychologist by training. My research interests focus on minority status stress, what contributes to it, and how people cope with it. I also have an interest in Asian-American

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  • Associate Professor of Music - Piano | Music | powerslm@plu.edu | 253-535-7647 | In demand as a solo and collaborative artist as well as an adjudicator and presenter, Dr.

    Région de Paris “Hector Berlioz” and received a Premier prix in piano. An active teacher, she joins Pacific Lutheran University where she runs the group keyboard program, teaches applied lessons and accompanying. Previously, she taught piano at Washington State University, as well as instructing ear-training and collaborating with the opera department. Prior to coming to WSU, Dr. Powers served on the faculty of East Central University in Ada, Oklahoma as Assistant Professor of Piano where she led the

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  • Visiting Assistant Professor of Music - Piano | Music | erhsuan.li@plu.edu | 253-535-7647 | Praised by the New York Concert Review as having “played with astonishing maturity and flair,” Dr.

    Er-Hsuan Li Visiting Assistant Professor of Music - Piano Phone: 253-535-7647 Email: erhsuan.li@plu.edu Office Location: Mary Baker Russell Music Center - 115 Office Hours: (On Campus) Mon - Fri: By Appointment Professional Biography Education D.M.A, Piano Performance, University of Colorado Boulder, 2024 M.M., Piano Performance, Northwestern University, 2018 B.M., Piano Performance, Manhattan School of Music, 2016 Responsibilities Applied Piano Lessons, Keyboarding Musicianship, Ear Training

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  • Paul Fritts Endowed Chair; Assistant Professor of Music, Organ | Music | jjm@plu.edu | Justin J.

    composition Ear training Keyboard skills Biography Justin J. Murphy-Mancini is a keyboardist and composer dedicated to exciting and enriching audiences with music from many eras. He appears regularly in concert as an organist, harpsichordist, and collaborative pianist, with a repertoire that spans the entire written history of keyboard music. His recent solo appearances include venues such as the Spreckels Organ Pavilion (San Diego, CA), Mechanics Hall (Worcester, MA), Hendricks Chapel (Syracuse

  • Visiting Instructor of Music, Strings, and Composition | Music | korine.fujiwara@plu.edu | 253-535-7602 | Montana native Korine Fujiwara is a founding member of the Carpe Diem String Quartet, a devoted and sought-after chamber musician and teacher, and a gifted composer and arranger. Ms.

    influences, including classical, folk, jazz, and rock and roll. Her diverse artistic collaborations have helped to infuse her work with a rhythmic power and intensity. Critics have remarked of Ms. Fujiwara’s music, “The ear is forever tickled by beautifully judged music that manages to be sophisticated and accessible at the same time,” “Contains a very rare attribute in contemporary classical music: happiness.” (Fanfare Magazine); “She knows how to exploit all the resources of string instruments alone

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