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Opera students spent a sunny but chilly March afternoon rehearsing under a tent in Red Square for an upcoming production of Die Fledermaus on May 21-22. Because of the ever-changing nature of the global pandemic, we won’t know for several weeks if it will be…
recommendations. Dr. Barry Johnson leads a movement rehearsal under the tent in Red Square. Movement rehearsal. Dr. Brown conducts a section of students outside the frame of the photo. Read Previous Vocal Master Classes in Spring 2021 Read Next Springing Forward with Guest Artists LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in Organ
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Dean of education and movement studies named By Greg Brewis An educator who has a comprehensive understanding of national and state trends in education has been named dean and professor of the School of Education and Movement Studies at Pacific Lutheran University. Frank Kline comes…
May 9, 2011 Dean of education and movement studies named By Greg Brewis An educator who has a comprehensive understanding of national and state trends in education has been named dean and professor of the School of Education and Movement Studies at Pacific Lutheran University. Frank Kline comes to PLU from Seattle Pacific University where he is professor and associate dean for the School of Education. Frank Kline comes to PLU from Seattle Pacific University where he is professor and associate
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See Dance 2014 this Friday, April 11 and Saturday, April 12. The annual show is a repertory concert comprised of dances created by eight PLU student choreographers, PLU’s Dance Team, and two works choreographed by Dance 2014 Director Paula J. Peters, and Guest Choreographer Mary Reardon.…
movement. Some works are inspired by books, an experience in the choreographer’s life, or social issues. “Creating choreography takes great courage on the part of the choreographer, because it is a publication of their ideas for all to critique,” Peters said. “Dancing in front of an audience requires personal fortitude, because dance is an ephemeral art form. You only get the moment. There is no ‘delete’ or ‘revise’ during live performance.” Peters says her rehearsal process is eclectic and
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See Dance 2014 this Friday, April 11 and Saturday, April 12. The annual show is a repertory concert comprised of dances created by eight PLU student choreographers, PLU’s Dance Team, and two works choreographed by Dance 2014 Director Paula J. Peters, and Guest Choreographer Mary Reardon.…
movement. Some works are inspired by books, an experience in the choreographer’s life, or social issues. “Creating choreography takes great courage on the part of the choreographer, because it is a publication of their ideas for all to critique,” Peters said. “Dancing in front of an audience requires personal fortitude, because dance is an ephemeral art form. You only get the moment. There is no ‘delete’ or ‘revise’ during live performance.” Peters says her rehearsal process is eclectic and
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Dance 2017: Innovation features PLU dancers working with guest and student choreographers exploring inventive themes through dance. The performances are on Friday, April 7 and Saturday, April 8 at 7:30 p.m. in Eastvold Auditorium of Karen Hille Phillips Center for the Performing Arts. This year’s…
vulnerability, feral instincts, and athleticism in a dance choreography. Zoller set the nine minute piece in one week. Dancers spent a total of 15 rehearsal hours together. “Most of the dances I have choreographed in the past were composed over a one to three month period. I would often have time to think about the work, make changes, and let the dancers play a bigger role in movement generation. Knowing I only had a week to work with the six dancers at PLU I arrived with much of the dance planned out
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Dance 2017: Innovation features PLU dancers working with guest and student choreographers exploring inventive themes through dance. The performances are on Friday, April 7 and Saturday, April 8 at 7:30 p.m. in Eastvold Auditorium of Karen Hille Phillips Center for the Performing Arts. This year’s…
vulnerability, feral instincts, and athleticism in a dance choreography. Zoller set the nine minute piece in one week. Dancers spent a total of 15 rehearsal hours together. “Most of the dances I have choreographed in the past were composed over a one to three month period. I would often have time to think about the work, make changes, and let the dancers play a bigger role in movement generation. Knowing I only had a week to work with the six dancers at PLU I arrived with much of the dance planned out
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Mental skills coach remembers Olympics For the last month, PLU Professor of Movement Studies and Wellness Education Colleen Hacker has worked as the mental skills coach for the U.S. women’s field hockey team at the 2008 Summer Olympics, as well as working with individual players…
September 1, 2008 Mental skills coach remembers Olympics For the last month, PLU Professor of Movement Studies and Wellness Education Colleen Hacker has worked as the mental skills coach for the U.S. women’s field hockey team at the 2008 Summer Olympics, as well as working with individual players on the now-gold medal winning U.S. women’s soccer team. The event has been beyond description, Hacker said in an e-mail interview from Beijing this week. But she gave a go at it anyway, in an
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A master’s degree in Kinesiology will enhance the skill set of novice and experienced practitioners in exercise, sport, performance and health related careers. Let’s look into some kinesiology careers you can choose from. Kinesiology is the science of human movement . Kinesiology studies the principles…
techniques and principles of psychology to help athletes optimize performance, meet fitness goals, or recover from injury. 7. Strength and Conditioning Coach—develop fitness plans for athletes designed to promote long-term muscle health, natural movement, endurance, and mobility and work alongside other coaches to monitor athlete health and performance. 8. Kinesiology Research Lab Assistant—conduct experiments, develop new biomechanical prototypes, and contribute to ongoing research and studies in the
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There are some great benefits to joining a new program at PNWU School of Physical Therapy. Some highlights: small faculty to student ratios, state-of-the-art cadaver dissection laboratory, simulation center, and the Center for Applied Movement Sciences lab. The Center for Applied Movement Sciences lab is part of…
New DPT program at PNWU PNWU School of Physical Therapy Posted by: alemanem / March 7, 2023 March 7, 2023 There are some great benefits to joining a new program at PNWU School of Physical Therapy. Some highlights: small faculty to student ratios, state-of-the-art cadaver dissection laboratory, simulation center, and the Center for Applied Movement Sciences lab. The Center for Applied Movement Sciences lab is part of PNWUs pro bono clinic campus where students have an opportunity to work with
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Spring is almost here. We just set our clocks forward an hour and throughout this semester students will have plenty of master classes to anticipate with an incredible variety of guest artists from disciplines. Keep reading to hear about the talented musicians, educators, and composers!…
our own PLU Affiliate Artist for Bassoon but in her master class, she will share important tips our students will need to know about professional rehearsal and performance etiquette. Dr. Otis Murphy, a classical saxophonist, will be a special treat for our saxophone students. An area of study that can serve any music student or performer is called body mapping. Helping people to understand their body can prevent injuries and enhance performances. Dr. Andrée Martin from Columbus State University
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