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, 1985 Areas of Emphasis or Expertise Business and Economic History Innovation / Public interest technology History of Computing (Personal Computers) Software Development / Windows Programming Early Modern Europe / Reformation Germany / Lutheranism Tudor England (study abroad) Books Abstractions and Embodiments: New Histories of Computing and Society, edited by Janet Abbate and Stephanie Dick. (Chapter 9- "The Help Desk: Changing Images of Product Support in Personal Computing, 1975–1990," Johns

Megan Grover Associate Director of Study Away & Semester Program Manager she/her Phone: 253-535-8754 Email: megan.grover@plu.edu Office Location:Wang Center for Global Education Office Hours: (On Campus) Mon: 8:00 am - 4:00 pm (On Campus) Tue: 8:00 am - 4:00 pm (Off Campus) Wed: By Appointment (On Campus) Thu: 8:00 am - 4:00 pm (On Campus) Fri: 8:00 am - 4:00 pm Status:Working Hybrid Professional Education B.S., Life Science, University of Portland, 2006 B.A., Spanish, University of Portland

Fellowship, the highest award for graduate study. He received the Bachelor of Music degree with honors from the College of Wooster and the Master of Music degree with honors and distinction in performance from the New England Conservatory of Music. He is active as an orchestral, chamber, and solo performer and has performed with the New England Philharmonic, and the Boston Philharmonic, Cedar Rapids, and Quad Cities Symphony Orchestras. Lyman has also performed as featured soloist with the Moscow Chamber

England, harpsichord music of the 17 th century, and modernist French organ music, especially that of Charles Tournemire and Olivier Messiaen. Since 2011, he has premiered over a dozen new works for the organ and the harpsichord and has championed composers including Emma Lou Diemer and Eva-Maria Houben. Jay can be heard on recorded releases from Marginal Frequency, Another Timbre, and Mayor Tacoghost; his debut solo album, featuring a survey of American organ music played on an 1834 Joseph Alley

, Vaughan Williams’ Five Tudor Portraits, Frahm’s War Cantata, Bach’s Magnificat, Mozart’s Requiem, and Faure’s Requiem. Mr. Johnson’s professional stage directing credits include Puccini’s La Boheme, Mozart’s Cosi fan tutte, Humperdinck’s Hansel and Gretel, Lehar’s The Merry Widow, Puccini’s Tosca, Menotti’s The Telephone, and Pasatieri’s La Divina, with Tacoma Opera, Bellevue City Opera Ballet, and Pacific Northwest Opera. As Co-Director of the Opera Workshop at Pacific Lutheran University, Mr

direct social work practice and first year experience program, but also has taught short-term domestic and abroad off campus courses. Her current research interests are in the area of public housing and immigrant communities as well as program evaluation. Most recent publications focus on challenges and strengths of public housing residents, development of community in public and mixed housing developments, student learning and growth in study away experiences, and teaching strategies for social work.

Global Context Pedagogy, especially First-year programs Latin America, specifically Mexico, Cuba, and the Andean region Bolivia and Peru (study abroad) Global Human Rights Global Women’s & Gender History Books In progress, You Are What You Drink: A Global History of How Alcohol Has Shaped Identity (Reaktion Press, London 2018) Alcohol in World History (Routledge 2012) : View Book Biography Gina Hames’ research interests focus on the historic role of how alcohol shapes identity from a comparative

and men to tell their own stories through writing. Davis currently lives in the Ozarks, where he teaches for the Program in Creative Writing & Translation at the University of Arkansas. Raised by the Pacific Northwest, he also serves as Poetry Editor for Iron Horse Literary Review.  Mentor. Workshops and classes in poetry. Statement: I encourage writers to keep sight of what comes next. Yes, we will work on sharpening our craft through intensive practice with technique and through a study of

Ryan Marsh Administrative & Performance Manager Phone: 253-535-7602 Email: marshrl@plu.edu Office Location:Mary Baker Russell Music Center - Room 206 (Music Office) Office Hours: (On Campus) Monday & Tuesday: 7:30 am - 4:00 pm (Off Campus) Wed: 7:30 am - 4:00 pm (On Campus) Mon - Fri: 7:30 am - 4:00 pm Professional Education M.M., Saxophone Performance, New England Conservatory, 2009 B.A./B.M., Saxophone Performance, University of Washington, 2007

Ryan Marsh Administrative & Performance Manager Phone: 253-535-7602 Email: marshrl@plu.edu Office Location:Mary Baker Russell Music Center - Room 206 (Music Office) Office Hours: (On Campus) Monday & Tuesday: 7:30 am - 4:00 pm (Off Campus) Wed: 7:30 am - 4:00 pm (On Campus) Mon - Fri: 7:30 am - 4:00 pm Professional Education M.M., Saxophone Performance, New England Conservatory, 2009 B.A./B.M., Saxophone Performance, University of Washington, 2007