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Three-time Grammy Award winning saxophonist Jeff Coffin joins the PLU Jazz Ensemble on stage Posted by: Mandi LeCompte / March 24, 2017 Image: Jazz Ensemble at PLU, Friday, Oct. 7, 2016. (Photo: John Froschauer/PLU) March 24, 2017 Musician, Composer, Educator The public is invited to a concert featuring the Rogers High School Jazz Band, the Pacific Lutheran University Jazz Ensemble and Jeff Coffin on Wednesday, April 19 at 8 p.m. in the Karen Hille Phillips Center for Performing Arts on the PLU

Metropolitan Opera singer offers masterclass to faculty-nominated students Posted by: Mandi LeCompte / April 21, 2016 April 21, 2016 By Mandi LeCompteOutreach ManagerWhen a Metropolitan Opera singer visits campus, you take note. Alfred Walker, who has performed in star roles all over the world, is offering a masterclass on May 10 from 5:30pm to 6:30pm in the Mary Baker Russell Music Center, Room 306. PLU student singers, nominated by PLU voice faculty, include Christian Hinrichsen, Nathan Robe

PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition Cassio Vianna, Assistant Professor of Music and Director of Jazz Studies, has been awarded a grant to write a 4-movement suite entitled Invisible Garden, that blends jazz, chamber music and Brazilian music. Posted by: Liza Conboy / April 18, 2024 Image: Jazz Under the Stars featuring Vianna/Bergeron Brazilian Quintet with Cassio Vianna on piano at PLU, Thursday

the summer and early fall, PLU Music faculty connected with peers and respected artists to arrange these unique connections. Our students had a whopping 63 opportunities this semester to listen to and collaborate with world class musicians and teachers. In this post we summarize just a few of the experiences for students involved in Wind and Brass, Trumpet Studio, Voice/Opera, Jazz Ensemble, and Music Education. As it looks like online learning will continue into Spring 2021, faculty are

. Black music makers not only had a means to make a reasonable living, but also had the means to be a public voice for personal and community cultural expression. By the beginning of the twentieth century, African-American music represented by ragtime, blues, jazz, and popular song was pulling the American cultural mainstream away from European influence. No one was more aware of this than Europeans themselves, who were captivated by the lively exoticism of this music that had risen from its societal