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behavioral change; strategies for program development, implementation and marketing; specific examples of different community-based health and fitness management programs. (4) KINS 386 : Social Psychology of Sport and Physical Activity Questions of how social psychological variables influence motor behavior and how physical activity affects the psychological makeup of an individual will be explored. (4) KINS 387 : Special Topics in Kinesiology Provides the opportunity for the exploration of current and

vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

vice president and publisher of several of the nation’s most prestigious publishing houses, including William Morrow/Avon Books, Addison-Wesley, and Prentice Hall Press (Simon & Schuster), as well as associate publisher of Bantam Books. In addition to her experience editing and marketing books, Liz is also an author, most recently of the bestselling Money, A Memoir: Women, Emotions, and Cash, as well as the critically acclaimed When Work Doesn’t Work Anymore: Women, Work, and Identity. In 2002, Liz

contemporary and classical genres of creative media, such as television, narrative and non-narrative film, advertising, PR, marketing and promotional campaigns to explore meanings, values and the ways in which media have become major parts of human existence, experience and expression globally. Reflecting ongoing developments in media, the course also provides an overview of the languages of creative media, exploring topics such as: fundamentals of scriptwriting, cinematography, editing, the soundtrack