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Children’s theatre continues its revival at PLU Posted by: Mandi LeCompte / February 8, 2017 February 8, 2017 “James and the Giant Peach” premieres this FebruaryWhen James Henry Trotter is forced to move-in with his horrible aunts, he finds comfort in a magical peach and a group of extraordinary friends who lead him on an adventure through the Atlantic Ocean, above the clouds, and to far-off, distant countries. Pacific Lutheran University’s next production, James and the Giant Peach, will be
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Anthony McGinnis Executive Chef He/Him/His Phone: 253-538-5657 Email: mcginnar@plu.edu Biography Biography Anthony has been with PLU for over 15 years and has worked many positions in the kitchen. He is the Executive Sous Chef, overseeing production of food for 208 Garfield and Catering and working on recipe development for The Commons.
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Paul Berge ’86 and Laura (Whitworth) Berge ’87 Logan Black Jodi Black ’91 Emily Bond Vo Bond ’96 Alexander Brost Troy Brost ’92 and Cheryl (Kragness) Brost ’93 Nicholas Brundage Seth Spidahl ’96 Andraya Conger Robin (Eckert) Conger ’87 Nathan Couch Aaron Couch ’79 Sarah Cornell-Maier Benjamin Maier ’91 and Lisa Cornell ’90 Keaton Craft Carol (Medley) Craft ’87 Nicholas Demers Eric Demers ’93 Samuel Driver Margo (Blecha) Driver ’76 Rebekah Dumestre Gretchen (Geldaker) Dumestre ’84 Dawson Faker Anna
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APO show opens in the Studio Theater Posted by: Mandi LeCompte / November 1, 2012 November 1, 2012 “Buried Child,” written by Sam Shepard, opens December 5 in the Karen Hille Phillips Center for the Performing Arts Studio Theater. The production will run December 5*, 6, 7, 8 at 7:30pm and December 9 at 2pm. First presented in 1978, this powerful and brilliant play probes deep into the disintegration of the American Dream. It won the 1979 Pulitzer Prize for Drama and launched Shepard to national
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“The Boys Next Door” opens Oct. 16 Posted by: Mandi LeCompte / October 2, 2014 October 2, 2014 PLU’s School of Arts and Communication and the Department of Communication & Theatre present The Boys Next Door by Tom Griffin, directed by Jeff Clapp. The production opens in Eastvold Auditorium of the Karen Hille Phillips Center for the Performing Arts on October 16, 17, 18, 24 and 25 at 7:30pm and October 26 at 2pm. This touching, funny play focuses on the lives of four disabled men in a communal
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APO show opens in the Studio Theater Posted by: Mandi LeCompte / November 1, 2012 November 1, 2012 “Buried Child,” written by Sam Shepard, opens December 5 in the Karen Hille Phillips Center for the Performing Arts Studio Theater. The production will run December 5*, 6, 7, 8 at 7:30pm and December 9 at 2pm. First presented in 1978, this powerful and brilliant play probes deep into the disintegration of the American Dream. It won the 1979 Pulitzer Prize for Drama and launched Shepard to national
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“The Boys Next Door” opens Oct. 16 Posted by: Mandi LeCompte / October 2, 2014 October 2, 2014 PLU’s School of Arts and Communication and the Department of Communication & Theatre present The Boys Next Door by Tom Griffin, directed by Jeff Clapp. The production opens in Eastvold Auditorium of the Karen Hille Phillips Center for the Performing Arts on October 16, 17, 18, 24 and 25 at 7:30pm and October 26 at 2pm. This touching, funny play focuses on the lives of four disabled men in a communal
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Sugar Hill Café. In a few short hours they will make their off-Broadway debuts in a musical written by Huertas.DeLohr and Huertas have won musical theater awards, performed throughout the U.S. and the U.K., and earned glowing reviews from critics every step of the way. Tonight is a milestone in their careers, but they insist it doesn’t feel so different from the first play they starred in together: PLU Theatre’s 2007 production of “Cabaret.”Huertas beams as he recalls how he, the confident sophomore
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out of comfortable patterns of composition by recommending radical strategies for revision. My aim when workshopping or talking one-on-one with you about your work is for you to understand your own poems better, recognizing the sensibilities you already have craft-wise, while also spurring you to get back to work experimenting, so that you might see what your poems have the possibility to do through further risk-taking and reinvention.
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Studdard. Mentor. Workshops and classes in poetry. Statement: Carolyn Kizer wrote in the foreword of On Poetry & Craft by Theodore Roethke that when another student was critical of something eccentric she had tried in her poem, Roethke said to the student: You want to be very careful when you criticize something like that, because it may be the hallmark of an emerging style. Kizer wrote, He knew that our eccentricities are our true voice. As a poet myself, this is something I keep in mind while
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