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and who he met. It was a way to deal with it, not just as a form of coping, but also out of a necessity to have his voice heard. Hrivnak was frustrated by what he saw on the news about the war. It didn’t tell the whole story. A ticker would go across the screen stating that 10 U.S. soldiers had been killed that day, but for him it seemed so hollow of an explanation of what had happened.  He knew that the 10 to 1 rule was usually in play, when the dead were listed, which meant for every one killed

television and streaming viewers in its first year, the Coalition has succeeded in making political candidates for public office more accessible to voters. “When neighborhoods are underrepresented, they lose their voice,” Eckstein said. “By bringing this debate to the area, we’re working to enhance our community.” Read Previous Upcoming Gallery Exhibition- “It’s All in the Details” Read Next Q&A with Kelly McLaughlin ’14 LATEST POSTS Pacific Lutheran University Communication students help forgive nearly

discovered that her voice to easily reached the  higher registers required of opera singers. Since then, she’s been hooked. She loves the collaboration between theater and music that occurs in opera and plans to continue on to graduate school, and  – she  hopes – to a major company later in her career. Kirsten Kamna will be singing “Ophelia’s Mad Scene” from Hamlet. Read Previous Actors explore the world of Japanese puppetry Read Next Coming Full Circle: Embracing the past to learn about the future

Appreciation and Alumni Awards Dinner.     Descending to the lower level of the Anderson University Center after 7 p.m. on a typical Saturday, you might find a sprinkling of dedicated students hanging out in the Diversity Center, ASPLU or one of the other student organization offices. Music may even drift out of the student radio station from a LASR DJ. But Homecoming didn’t offer a typical Saturday night in the lower AUC. This weekend, PLU on Tap took over. The buzz of conversation and soft jazz music

, “worth giving your life for.” PLU students search for, and articulate to themselves and to each other, convictions that provide steadiness and inspiration. They test their aspirations and convictions against the ideas, concepts and theories they engage in class. They search out faculty who will converse with them about how what they are learning in their courses connects to who they are becoming. They spend time with mentors who listen as they give voice to their developing senses of themselves and

Boaz As Sorayah Surkatty reflects on her new career in the realm of big voices and classical music, she credits her connections with her voice coach and PLU music lecturer Holly Boaz, and Jim Brown, associate professor of music, with securing her connections with the Vashon Opera on Vashon Island, Wash. More >> Stories by Barbara Clements, Chris Albert and Steve Hansen.  Photography by John Froschauer. Read Previous Evacuation drill Read Next Artifacts Day COMMENTS*Note: All comments are moderated

by Seattle CityClub in 2016 to bolster the number of high-quality, nonpartisan debates available to the public, echoes that sentiment. With 1,800 debate attendees and more than 1 million television and streaming viewers in its first year, the Coalition has succeeded in making political candidates for public office more accessible to voters. “When neighborhoods are underrepresented, they lose their voice,” Eckstein said. “By bringing this debate to the area, we’re working to enhance our community

Stephanie Pfundt. There will be three prize winners. Third prize is a $250 cash prize, second prize is a $500 cash prize, first prize will be $1000 cash prize and a trip to a national destination to hear Meade perform as well as a consultation and/or voice lesson with one of Meade’s mentors. Sing at PLU!If you love to sing, PLU is the place for you.PLU’s vibrant vocal and choral program provides singers from all academic disciplines with outstanding opportunities for performance and study. The Finale is

establishing PLU as a hub for creative and original music. A colleague wrote, “Gina Gillie has quickly become one of the best-known and most-played composers of chamber ensemble works in our day. She is sought out for commissioned works, and the demand for her new and established works grows continually.” Another colleague described her as a “double threat” as both performer and composer and described her compositional style as accessible yet challenging. She has become an important voice, particularly for

Wolf, New Voice in Chinese Women’s Literature Love in a Fallen City by Eileen Chang, translated by Karen S. Kingsbury Danish The Faces by Tove Ditlevsen, translated by Tiina Nunnally Dutch The Discomfort of Evening by Marieke Lucas Rijneveld, translated by Michele Hutchison French The Lover by Marguerite Duras, translated by Barbara Bray Persepolis by Marjane Satrapi Caribbean Writers A Season in Rihata by Maryse Conde, translated by Richard Philcox (Guadeloupe) Memory at Bay by Evelyne Trouillot