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1994 to address issues of diversity in the life of the University. In line with the University Diversity Committee’s plans, two Diversity Classes (Perspectives on Diversity) Alternative Perspectives (A) and Cross-Cultural Perspectives (C) become required for graduation. 1996 MICA is rearranged into Student Involvement and Leadership, SIL, becoming the hub for campus programming and student leadership. 2000 The first Associate Director of Multicultural Affairs is hired. The primary focus for this
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Bird ’21 While many of us are familiar with low-fidelity manikins used in CPR classes, high-fidelity manikins can be programmed with hundreds of interactive scenarios and medical conditions. For example, a manikin with asthma might display rapid breathing, wheezing and color changes. Nursing major Linda Awuah ’21 remembers the first time she heard a manikin make a little “oh” sound when touched. “It sounded real. I wasn’t expecting it at all.” A manikin can show signs of dehydration or suffer a
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longevity,” Barot said. “The low-residency program is a fairly new innovation in the MFA scenario, in that it’s 25-30 years old. Ten years ago, when ours started, there were maybe 20 all over the country; now it’s up to around 60. It’s a huge boom.” Low-residency programs differ from the potentially more-familiar full-residency programs (think University of Iowa or University of Washington) in several key ways, Barot said: In full-residency programs, students have to attend classes, much like an
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didn’t enter college with the intention of becoming a designer. She started in neuroscience, but as her academic career continued she discovered a true love for art. “Looking back on my whole life there are all these stepping-stones that I didn’t piece together until I finally arrived,” she said during the podcast. Upon graduation a health issue caused her to take a job as an office assistant so she could obtain health insurance, but that desire to design never left. She enrolled in classes to learn
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Auditions for Spotlight (faculty-directed) ProductionsAuditions for our productions are open to all
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Auditioning for PLU's BFA programsStudents wishing to audition for admittance into one of our three
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Performances are held in either the Eastvold Stage or Studio Theatre in the Karen Hille Phillips Cen
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TheatreWelcome to Theatre at Pacific Lutheran University! We offer four degrees and two minors in th
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In-Person Performances Tickets are sold at the door only. Additionally, please be aware that credit
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Craig Rine Lecturer - Clarinet Phone: 253-535-7602 Email: rinecj@plu.edu Office Hours: (On Campus) M
Office HoursMon - Fri: -
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