Page 391 • (5,521 results in 0.025 seconds)
-
Irving vs. Penguin and Lipstadt (1998-2001). His forensic work on the crematoria of Auschwitz generated The Evidence Room installation, shown first at the 2016 Venice Architecture Biennale, in 2017 at the Royal Ontario Museun in Toronto, and in 2019 at the Hirshhorn Museum in Washington D.C. Van Pelt is the Chief Curator of the international traveling exhibition Auschwitz. No hace mucho. No muy lejos (Auschwitz. Not Far Away. Not Long Ago) which opened in Madrid in 2017 and in New York in 2019. This
-
Irving vs. Penguin and Lipstadt (1998-2001). His forensic work on the crematoria of Auschwitz generated The Evidence Room installation, shown first at the 2016 Venice Architecture Biennale, in 2017 at the Royal Ontario Museun in Toronto, and in 2019 at the Hirshhorn Museum in Washington D.C. Van Pelt is the Chief Curator of the international traveling exhibtion Auschwitz. No hace mucho. No muy lejos (Auschwitz. Not Far Away. Not Long Ago) which opened in Madrid in 2017 and in New York in 2019. This
-
semester. Medical History/Immunization Requirement Please be sure to submit Medical History Form to the PLU Health Services prior to your arrival. Depending on your immunization record, new students may be asked to receive immunizations shots during orientation at the Health Services Clinic. Each MMR shot costs $15 and PPD shot costs $20. If you are a citizen or resident of one of the following countries, PPD may be waived: Australia, Austria, Belgium, Bermuda, Canada, Denmark, England, Finland, France
-
faculty to let you know about the sunsetting of the ½” VHS video format. Since the Spring of 2013 we have not been able to purchase new ½” VHS players because they are no longer being manufactured. At this time we have only a few spares left to replace players in the classroom that become inoperable. If you’re still using 1/2″ VHS cassettes in the classroom, please be aware of the following change that will take place this summer and learn what you can do to make this transition as smooth as possible
-
: Implementing Hybrid and Online Language Courses (Multilingual Matters 2019) : View Book Chapter in IALLT’s Language Center Handbook Chapters Supporting the LRC Mission through Collaborative Partnerships Across Campus and Beyond (IALLT 2018) Chapter in IALLT's From Language Lab to Language Center and Beyond: The Past, Present, and Future of Language Center Design Chapters Envisioning New Spaces: The Human Element (IALLT 2017) Chapter in IALLT Language Center Management Manual, 2013 edition Chapters
Area of Emphasis/Expertise -
Admission RequirementsThe Rainier Writing Workshop is selective. We are looking for motivated adults with established writing and reading habits, and who want to raise their work to a new level. The program and its mentorships are grounded in the balance between collaboration and independence. Each participant will receive individualized, strategic guidance from their mentors – in the context of the participant’s clear ownership of his or her own goals and projects. The ability to work
-
Jenny Johnson Poetry Biography Biography Jenny Johnson is the author of In Full Velvet (Sarabande Books, 2017). Her poems have appeared in The New York Times, Troubling the Line: Trans and Genderqueer Poetry and Poetics, Waxwing, and elsewhere. Her honors include a Whiting Award, a Hodder Fellowship, and an NEA Fellowship. She has also received awards and scholarships from the Blue Mountain Center, Bread Loaf Writers’ Conference, Virginia Center for the Creative Arts, and Yaddo. She is an
-
and in revising your poems. By expanding your knowledge of authors, discovering which obstacles are preventing you from being the best writer you can be, exploring new areas in your work, and stretching your performance as a poet and critical thinker, we will work towards elevating your writing. And because writing is ultimately a solitary act, I hope to help you have a better understanding of both your strengths and challenges so you can find your path as a writer in the world.
-
How I Learned to Drive – a vehicle toward empowerment Posted by: Mandi LeCompte / March 3, 2013 March 3, 2013 How I Learned to Drive, by Paula Vogel, opens March 8 in the Studio Theater of the new Karen Hille Phillips Center for the Performing Arts at Pacific Lutheran University. Often described as one of the most disturbing love stories in theatre, How I Learned to Drive contains issues of pedophilia, incest and misogyny. The audience is urged to examine their relationship with the term
-
student preview. Students receive free entry with valid student ID.Tickets$3-$8 Purchase Read Previous Children’s theatre continues its revival at PLU Read Next Dance concert covers new creative ground LATEST POSTS Theatre Professor Amanda Sweger Finds Family in the Theatre February 28, 2023 Twisted Tales of Poe: A Theatre/Radio Collaboration May 16, 2021 Theatre Guest Artists in Spring 2021 February 16, 2021 Hints and Help for Your Virtual Theatre Scholarship Application January 18, 2021
Do you have any feedback for us? If so, feel free to use our Feedback Form.