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Miranda Morgan Visiting Assistant Professor of English Phone: 253-535-7229 Email: miranda.morgan@plu.edu Office Location: Hauge Administration Building - 227-H Professional Additional Titles/Roles Director, The Writing Center Education M.F.A., Creative Writing, Nonfiction, University of Montana, 2019 B.A., Literature and Creative Writing, University of California, Santa Barbara, 2014

- Poetry, Prose, Hybrid Gender and Civic Queerness in Antiquity Victorian Literature and Counterculture Metamodernism and Adaptation / Transformative Literature Selected Publications "ekphora (or, telemachus dreams of funerals)" - F(r)iction Spring Poetry Contest "the night’s last train to paris, two hours delayed" · Twyckenham Notes, Issue 16, Summer "achilles, singing" · Death Rattle Oroboro Lit Penrose Poetry Prize "Reprise: Persephone Before the Underworld." · F(r)iction Spring Creative Nonfiction

Professional Memberships/Organizations National Association of Teachers of Singing , (2008 - Present) Black Box Opera Theater , (2005 - Present) Biography Equally at home in everything from Shakespeare to Sondheim and Monteverdi to Verdi, baritone Glenn Guhr has always prided himself on his versatility as a performer. He has appeared in operas, operettas, musicals, plays, and film. In recent years, he sang the baritone solos for Pacific Northwest Ballet’s Carmina Burana and played Dulcamara in The Elixir

James Albrecht Chair of Department of English Phone: 253-535-7698 Email: albrecjm@plu.edu Office Location: Hauge Administration Building - 207-D Professional Additional Titles/Roles Professor of English Education Ph.D., Rutgers University, 1995 M.A., Rutgers University, 1989 B.A., Amherst College, 1985 Areas of Emphasis or Expertise American Literature Pragmatism Books Reconstructing Individualism: A Pragmatic Tradition from Emerson to Ellison (Fordham University Press 2012) : View Book

Ali Mctar Visiting Assistant Professor of English Phone: 253-535-7776 Email: ali.mctar@plu.edu Office Location: Hauge Administration Building - 201-A Status:On Leave Professional Education Ph.D., English Literature, Princeton University, 2021 B.A., Critical Theory, Williams College, 2014

similar to what you’re writing or reading literature that’s wildly dissimilar. I will also encourage you to identify the traditions and conversations with which your writing engages and to think of yourself as a contributor to literary trends and movements. How are you expanding on what has come before? What are you doing that’s traditional and what do you bring that’s new? Most of all, I’ll encourage you to revise your drafts. All writing improves through rewriting, and all writers discover what it

Matt Young Fiction, Nonfiction Biography Biography Matt Young  is the author of the memoir, Eat the Apple (Bloomsbury, 2018), and the novel, End of Active Service (Bloomsbury, 2024). His stories and essays have appeared in TIME, Granta, Tin House, Catapult, and The Cincinnati Review among other publications. He is the recipient of fellowships from Words After War and The Carey Institute for Global Good, and teaches composition, literature, and creative writing at Centralia College in Washington

Rick Barot Professor of English Phone: 253-535-7318 Email: barotrp@plu.edu Office Location:Hauge Administration Building - Room 209 Website: https://rickbarot.com/ Professional Biography Additional Titles/Roles Director of MFA Education M.F.A., Iowa Writers' Workshop, 1998 B.A., Wesleyan University, 1992 Areas of Emphasis or Expertise Creative Writing Poetry Ethnic Literature Gay/Lesbian Literature Books Chord: Poems (Sarabande Books 2015) : View Book Want: Poems (Sarabande Books 2008) : View

through cultural productions and memory practices. This research takes me not only to print and film archives, but also to cultural and educational institutions where people craft and share their own “canal memories.” Whether I’m analyzing nationalist novels studied in high schools, the oral histories at the West Indian Museum of Panama, or testimonial short stories of survivors of the 1989 U.S. Invasion of Panama, I uplift the centrality of narratives in negotiating the human experience. My teaching

 Guardian, Runner’s World, Literary Hub, Catapult, West Branch, Electric Literature, Gulf Coast, Boulevard, Joyland, Longreads, and many other publications. Mentor. Workshops and classes in nonfiction and fiction. Statement: My primary goal as an educator is to help students develop artistic agency and encourage creative sustainability. Rather than fall back on craft axioms around what makes good writing, my teaching emphasizes individual decision-making, creative exploration, and radical revision, with