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torrin a. greathouse Poetry Biography Biography torrin a. greathouse is a transgender cripple-punk poet and essayist. She received her MFA in creative writing from the University of Minnesota. Her work has been featured in Poetry Magazine, The Rumpus, the New York Times Magazine, Ploughshares, and The Kenyon Review. She has received fellowships from the National Endowment for the Arts, the Effing Foundation for Sex Positivity, The Ragdale Foundation, and the University of Arizona Poetry Center
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numerous conferences in the US and abroad, including papers given for the American Musicological Society national and regional meetings, the American Handel Society, the Society for Eighteenth-Century Music, the Georg-Friedrich-Handel Society (Hälle), the 14th Biennial International Baroque Conference (Belfast), and the Italian Vivaldi Institute (Venice). As a performer on piano, harpsichord, organ, violin, and viola, Dr. Lockey’s repertoire ranges from Medieval music to modern pop & rock, with a
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modern pop & rock, with a special interest in music of the Baroque period. He was co-director of the University of Victoria Collegium Musicum and served for eight years as director of the early music ensemble at Princeton University. He has accompanied and directed numerous operas and musical theater works, including organizing and directing the Western hemisphere premiere of highlights of Vivaldi’s Chinese-themed opera Teuzzone. In addition to recitals, he has given lecture-recitals and
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creative work, another for her scholarship and teaching. Even then I knew, of course, that the scholarly and the creative were false categories. A poem was as much the result of a poet’s deep critical study of poetry as it was the result of inspiration. In the same way, the best scholarship that I read at the time— Richard Poirier on Robert Frost, Helen Vendler on Wallace Stevens, and Carson herself on Paul Celan—had a dazzling creativity of insight that made scholarly writing as artful as the works
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. Professor Barot’s book of poetry, The Galleons, was published in 2020 and was longlisted for the National Book Award, a prestigious national recognition.The Rainier Writing Workshop is one of nine graduate programs offered at PLU. The MFA has a low-residency set-up, with mentors and students gathering on campus for a ten-day residency during the summer, and engaging in one-on-one mentorships during the rest of the academic year. Professor Barot acts as both Director and a mentor, guiding students in
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Jason Koo Jason Koo Thursday, October 17, 2024 7:00 PM, Scandinavian Cultural Center, AUC 100 This event is open to the campus community for in-person attendance. Jason Koo is a second-generation Korean American poet, educator, editor and nonprofit director. He is the author of four full-length collections of poetry: No Rest, a winner of the Diode Editions Book Contest, More Than Mere Light, America’s Favorite Poem and Man on Extremely Small Island. His work has been published in Best American
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Brian Teare Poetry, Nonfiction Biography Biography Brian Teare, a 2020 Guggenheim Fellow, is the author of seven critically acclaimed books, including Companion Grasses and Doomstead Days, winner of the Four Quartets Prize and a finalist for the National Book Critics Circle, Kingsley Tufts, and Lambda Literary Awards. His most recent publications are a diptych of book-length ekphrastic projects exploring queer abstraction, chronic illness, and collage: the 2022 Nightboat reissue of The Empty
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Rick Barot’s poem “The Galleons” is published in The New Yorker magazine… Posted by: hassonja / March 16, 2018 March 16, 2018 “The Galleons,” a poem by Rick Barot, Associate Professor of English and Director of the Rainer Writing Workshop at PLU, was published in the March 12, 2018 issue of The New Yorker magazine. This recent publication adds The New Yorker to an already impressive list of publications in which Professor Barot’s poems and essays have appeared including Poetry, The Paris Review
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either. Hernández’s debut depicts the struggle inherent to immigration today, combining both narrative essay and bilingual poetry”– provided by publisher Broad strokes : 15 women who made art and made history (in that order) (N8354.Q47 2017) “This book chronicles the lives and art of 15 often overlooked female artists from the Renaissance to the modern day”– Provided by publisher.; “Historically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of
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Challenge. (Photo by John Froschauer/PLU) Read Previous PLU ROTC student to be honored in Washington, D.C., as only recipient of Green to Gold award for excellence in leadership Read Next PLU Chinese studies chair serves as catalyst for cross-cultural arts and poetry project; related symposium comes to campus COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad blocker enabled or are currently browsing in a "private" window. LATEST POSTS A family with a “Bjug
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