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, and the premiere of PLU’s newly founded Gospel Choir. Learn More The 2016 Wang Center Symposium, Feb. 25-26 The Countenance of Hope: Towards an Interdisciplinary and Cross-Cultural Understanding of Resilience. Learn More Food Symposium, Feb. 26-29 This symposium on food and the environment will feature two keynote speakers, panels, a Pierce County food tour that will visit local innovative production, consumption and waste models, as well as the PLU MediaLab documentary on food waste titled “Waste
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make the piece challenging. Clapp and Stage Designer Amanda Sweger have to portray many places on a budget and remain true to the production. “This play is for everyone, young and old alike. If you like a good love story where you know what is going on before the young lovers do… this is for you,” Clapp says. Performances are May 13, 14, 20, and 21, at 7:30pm and May 22, at 2pm. Join us Thursday, May 12 for a student preview, where any student ID will grant free admission. For tickets, visit the
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honored at the national conference level through selection and performance at the Kennedy Center in Washington DC. The six PLU students who will perform GIRL POOL in the upcoming Dance 2018: Storytelling performance make up the fourth cast of dancers in the history of the dance piece. Read Previous The party has just begun with Theatre’s production, Love’s Labour’s Lost Read Next PLU Theatre focuses on growth in upcoming Shape of Things LATEST POSTS Theatre Professor Amanda Sweger Finds Family in the
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active production program, producing up to 8 shows every academic year, about half directed by students. We bring in professional guest artists annually to provide master classes and production support to forge valuable connections. You’ll gain significant practical experience that builds on your coursework to develop a strong resume and will be well-prepared after graduation to enter the theatre profession or get into graduate school. Concentrations: Acting/Directing Design/Technical Musical Theatre
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such as photography, video, and audio recordings.Live Video Production253-535-7525 • media@plu.edu • Support infoSingle or multi-camera video production to capture events and provide live images to large projection screens.Sakai Learning Management System253-535-7525 • sakai@plu.edu • Web site • Support infoPLU's learning management system.Software Troubleshooting - Digital Media253-535-7525 • itech@plu.eduDigital media software troubleshooting and support.Streaming253-535-7525 • media@plu.edu
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enabled both the Elliott Press and the PPA Program to grow. In 1984, PLU alumna, writer, and book artist Megan Benton became the first Director of the Elliott Press and of the PPA Program. Under her guidance, the Press provided vital services to the PLU community by functioning as a job shop that printed certificates, posters, and business cards. Students gained valuable experience in all aspects of print production, from shop management to completed orders. Benton also built a valuable collection of
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and editor, said while the news media almost exclusively report about water scarcity in developing parts of the world, Tapped Out uncovers serious water challenges in North America. “It’s an attempt to communicate the current status of water and how the developed nations aren’t as prepared as we think that they are,” Scroger said. “We don’t have as much water as we think we do.” During research and production of the film, the students conducted dozens of interviews, meeting with citizens, farmers
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, University of Maryland-College Park, 2005 M.A., Liberal Studies –with emphases in Social and Public Policy, Georgetown University, Washington, D.C., 1997 M.A., Communication – Broadcast Journalism and Public Affairs, American University, Washington, D.C., 1990 Bachelor of General Studies, with dual emphases in Business Administration and Communication, American University, Washington, D.C., 1989 Areas of Emphasis or Expertise Journalism Media Studies Filmmaking and Film Analysis Video Production Books
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granted creative control. “Usually Kathy picks the designs and fabrics, but I have undertaken projects where there were no designs or fabrics,” Schultz said. This really comes down to the scale of the production. Costumes for ‘Macbeth’ hang ready for rehearsals … and then the real performances. For Macbeth, Anderson has optioned dark tones. “There’s lots of blood, lots of killing, but there needs to be some light moments as well,” she says, smiling. “She’s really come alive in this new space,” Schultz
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develop skills in decision-making, analysis, communication and reasoning that prepare them for a lifetime of success – both in their careers and in service to others. Read Previous You’ll love “She Loves Me” Read Next Student production disrupts time in new Romeo and Juliet LATEST POSTS Theatre Professor Amanda Sweger Finds Family in the Theatre February 28, 2023 Twisted Tales of Poe: A Theatre/Radio Collaboration May 16, 2021 Theatre Guest Artists in Spring 2021 February 16, 2021 Hints and Help for
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