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  • Poetry | MFA in Creative Writing - Low Residency | Jenny Johnson is the author of In Full Velvet (Sarabande Books, 2017).  Her poems have appeared in The New York Times, Troubling the Line: Trans and Genderqueer Poetry and Poetics, Waxwing, and elsewhere.  Her honors include a Whiting Award, a Hodder Fellowship, and an NEA Fellowship.  She has also received awards and scholarships from the Blue Mountain Center, Bread Loaf Writers’ Conference, Virginia Center for the Creative Arts, and Yaddo.  She is an Assistant Professor of Creative Writing at West Virginia University, and she is on the faculty of the Rainier Writing Workshop, Pacific Lutheran University’s low-residency MFA program.

    in broader social or historical contexts: Are there larger conversations that you wish or aim for your poems to be a part of? Are there poets from the past or present whom you imagine your work might be in dialogue with? If you are not sure yet, as a mentor, I intend to make these meetings happen, too, as we tailor your reading lists. In addition to learning the formal and technical elements of poems, it is important to me that you grow by learning from the diverse literary traditions that your

  • Nonfiction, Fiction | MFA in Creative Writing - Low Residency | Aram Mrjoian is the editor-in-chief of The Rumpus and a 2022 Creative Armenia-AGBU Fellow.

     Guardian, Runner’s World, Literary Hub, Catapult, West Branch, Electric Literature, Gulf Coast, Boulevard, Joyland, Longreads, and many other publications. Mentor. Workshops and classes in nonfiction and fiction. Statement: My primary goal as an educator is to help students develop artistic agency and encourage creative sustainability. Rather than fall back on craft axioms around what makes good writing, my teaching emphasizes individual decision-making, creative exploration, and radical revision, with

  • Poetry | MFA in Creative Writing - Low Residency | Jennifer Elise Foerster is the author of three books of poetry, Leaving Tulsa (2013), Bright Raft in the Afterweather (2018), and The Maybe-Bird (2022), and served as the Associate Editor of When the Light of the World Was Subdued, Our Songs Came Through: A Norton Anthology of Native Nations Poetry. She is the recipient of a NEA Creative Writing Fellowship, a Lannan Foundation Writing Residency Fellowship, a Hermitage Artist Retreat Fellowship, and was a Wallace Stegner Fellow in Poetry at Stanford.

    was a Wallace Stegner Fellow in Poetry at Stanford. Her poetry has recently appeared in POETRY London, The Georgia Review, Kenyon Review and other journals. Jennifer currently teaches at the Rainier Writing Workshop, the Institute of  American Indian Arts Continuing Education Program, and is the Literary Assistant to the U.S. Poet Laureate, Joy Harjo. She Foerster grew up living internationally, is of European (German/Dutch) and Mvskoke descent, and is a member of the Muscogee (Creek) Nation of

  • Editor in Residence, Poetry | MFA in Creative Writing - Low Residency | Stephen Corey is the author of four full-length collections of poetry, the latest being There Is No Finished World (White Pine Press, 2003), and six chapbooks.

    , 1912-2002.  He has co-edited three books in as many genres, most recently (with Warren Slesinger) Spreading the Word: Editors on Poetry (The Bench Press, 2001).  He has worked as a literary editor for nearly 35 years, first with The Devil’s Millhopper from 1976-1983, and since then with The Georgia Review, where he currently serves as editor.  He lives in Athens, Georgia and serves as Editor-in-Residence in the Rainier Writing Workshop. Editor in Residence. Mentor. Workshops and classes in

  • Clinical Instructor of Nursing | School of Nursing | athompson@plu.edu | Alicia grew up in the state of Maine and moved to Tacoma to attend Pacific Lutheran University, earning a bachelor’s degree in Social Work.

    Alicia Thompson, MSN, RN, CNL Clinical Instructor of Nursing Email: athompson@plu.edu Professional Biography Education MSN, Nursing, Pacific Lutheran University Bachelors, Social Work, Pacific Lutheran University Areas of Emphasis or Expertise Cardiology, Critical Care, Corrections Currently teaching NURS401 Care of Complex Conditions Biography Alicia grew up in the state of Maine and moved to Tacoma to attend Pacific Lutheran University, earning a bachelor’s degree in Social Work. Alicia then

  • Fiction | MFA in Creative Writing - Low Residency | David Allan Cates is the author of five novels, most recently Tom Connor’s Gift, a gold medalist in the 2015 Independent Book Publishers Book awards.

    gold medalist in the 2013 Independent Book Publishers Book Awards.  The winner of the Montana Arts Council’s Artist Innovation Award in 2010, his stories and poems have appeared in numerous literary magazines, and his travel articles in Outside Magazine and the New York Times Sophisticated Traveler.  Cates is the executive director of Missoula Medical Aid, which leads groups of medical professionals to provide public health and surgery services in Honduras.  In Missoula he has worked with the

  • Chair of Physics | Department of Physics | bret.underwood@plu.edu | 253-535-7267 | I am currently a Professor of Physics at Pacific Lutheran University.

    Education Ph.D., Physics, University of Wisconsin-Madison, 2008 M.A., Physics, University of Wisconsin-Madison, 2006 B.S. Magna Cum Laude, Physics, The Ohio State University, 2003 Areas of Emphasis or Expertise Cosmology Particle Physics String Theory Selected Presentations University of Vienna, Cosmological Chaos, Complexity, and the OTOC, Vienna, Austria (October 2020) de-Sitter Constructions in String Theory Workshop, Constraints on dS from Higher Dimensions, Institut de Physique Theorique, CEA

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  • Poetry | MFA in Creative Writing - Low Residency | Kelli Russell Agodon is a bi/queer poet and editor from the Pacific Northwest.

    Studdard. Mentor. Workshops and classes in poetry. Statement: Carolyn Kizer wrote in the foreword of On Poetry & Craft by Theodore Roethke that when another student was critical of something eccentric she had tried in her poem, Roethke said to the student: You want to be very careful when you criticize something like that, because it may be the hallmark of an emerging style. Kizer wrote, He knew that our eccentricities are our true voice. As a poet myself, this is something I keep in mind while

  • Poetry | MFA in Creative Writing - Low Residency | Oliver de la Paz is author and editor of several books and serves as the Poet Laureate of Worcester, MA.

    classes in poetry. Statement:  “I encourage students to think of themselves not as isolated individuals, but as members of a learning community. For me, the writing workshop is a place where students improve their skills in reading, critical thinking, interpretation, and communication through engagement with their own texts and with those written by others.  To be members of a learning community, I teach my students that verbal and written communication are inextricable, neither can take place

  • Fiction, Nonfiction | MFA in Creative Writing - Low Residency | Justin St.

    emphasizes description first: what effects the piece has on the reader, what it seems to be doing and trying to do, identifying the major formal and craft decisions made by the author. My critiques of student work are usually more suggestive than prescriptive, pointing toward other approaches or models that might be useful to consider, rather than telling you how to “fix” a draft. Because the study of craft is critical for an aspiring writer, and will serve them for the rest of their writing lives, I