Page 636 • (6,369 results in 0.059 seconds)

  • support. We were also able to do more field trips, which would be harder with a larger department. What’s one book-related topic you get fired up about (book bans, early reading education, diversity in publishing, etc.)? The first thing that came to my mind is classics, especially Shakespeare, being inaccessible. We’ve seen time and time again that it’s not about the books themselves, it’s how they’re taught and presented. If we keep presenting classics like Shakespeare as above everyone’s reading

  • ready to move to the next level?” Avila asks of how well he’s taught his students. “I think design education has become such a vital component of how we communicate.” Hall had come to PLU intending to be an English teacher, but several conversations with Avila changed his path toward Communication. “He asked me what I liked doing,” Hall said. “He asked me what I thought design was.” After responding, Avila said, “You’re telling me you like to make pretty things.” “I knew when he was saying that, it

  • Education. Amount: At least HALF of tuition will be covered by PLU-funded scholarships and grants. Awarding: The commitment is not a named scholarship, but rather will include any PLU-funded merit or need-based scholarships a student receives. This includes, but is not limited to, Academic, Presidential, Artistic Achievement, Alumni and/or Clergy Dependent, 253 PLU Bound, Act Six, and Housing Scholarships, as well as PLU Grants. Application: No separate application is needed to be considered. Our

  • Seattle area. I would recommend PLU to people who are seeking a global experience, and who will utilize the resources we offer effectively. As a small school, [the] closeness with faculty/administration, exchange opportunities and business program are among the strengths of the school. Erika SolliSocial Work, 2016 I was drawn to PLU because of the mission of service, vocation, and a global education, in addition to its location in the Northwest. My favorite part my experience at PLU was that I had the

  • that all five of those guys, united by basketball back in the day, represent some of the best qualities of a PLU education. They provide a model for longstanding PLU friendships, and show how they can and should be nurtured.

  • aptitudes/skills, prior education and interests. Keep in mind some areas present more employment opportunities. For example, Dining Services has many positions available due to the size and required staff to keep operating efficiently. However, you will not find that volume of positions in the smaller departments on campus. How do I know which positions are available?Students can login to their student account on the Opportunities Board and select the “Jobs/Internships Search” menu. Select “PLU

  • more than 100 qualifying films before the Academy narrows the nominee pool to five; Petersen hopes “All the Marbles” makes the cut. Petersen said his time studying theatre at PLU helped prepare him to write, produce and star in film projects. His says the education in makeup, sound, set design and a host of other production elements equipped him for the roles he’d need to take on as an independent filmmaker. “There were all these various things in the theatre department that I had to work on that I

  • institutions, such as the economy, education, and criminal justice. Prerequisite: SOCI 101 or consent of instructor. (4) SOCI 336 : Deviance A general introduction to a variety of nonconforming, usually secretive, and illegal behavior, such as corporate crime, drug dealing, prostitution, industrial spying, child abuse, and suicide, with emphasis on the conflict of values and life-experiences within a society. Prerequisite: SOCI 101, SOCI 201, or consent of instructor. (4) SOCI 378 : Consumption An

  • according to the art critics (Abiodun 22) – Kelsey Barnes ’16, Anthropology & Art History Sources Abiodun, Rowland. “African Aesthetics.” Journal of Aesthetic Education. Vol. 35, No. 4 (2001): 15-23. Drewal, Henry John, John Pemberton, Rowland Abiodun, and Allen Wardwell. Yoruba: Nine Centuries of African Art and Thought. New York: Center for African Art in association with H.N. Abrams, 1989. Fakẹyẹ, Lamidi Ọlọnade, Bruce M. Haight, with David H. Curl. Lamidi Ọlọnade Fakẹyẹ: My Life and My Art. Holland

  • over 175 people in the crowd from the university and the community, Aust said that it was a very rewarding experience. Although only a Junior, Aust already has big plans for his time after college. “My future plans are to teach English abroad and God-willing, I will be able to bring debate education wherever I go. Because debate is an agent for change and advocacy and the most underprivileged people need those skills the most.” All-age debate: Climb the Mountain and T.O.H. Karl support students at