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  • can try to reach Christian audiences and equip people with the tools to discuss environmental issues with them is via allegories in film. Using the principles of physics and Christian ethics both as components and as interpretive lenses of climate change allegories, people can craft more effective arguments to convince Christian audiences to act against climate change.Thank you to my capstone mentors, Drs. Underwood and O’Brien for pushing me as a student, writer, and as a person. Thank you to Drs

  • (PLU Opera), La Boheme (Bellevue Opera) and a critically acclaimed production of Sweeney Todd (Lakewood Playhouse). Upcoming productions for James include PLU Opera’s Le Nozze di Figaro (conductor), Previn’s A Streetcar named Desire (conductor and stage director), and La Traviata (conductor and stage director) with Vashon Opera, and Boito’s Mefistofele with Pacific Northwest Opera. As a singer, James has distinguished himself on the opera and concert stage. James has sung with Il Festival dei due

  • active bystander will be on hand! The Monologues Feb. 11 & 12 | 7 p.m. | Chris Knutzen Hall (Anderson University Center) | More Information Presented by VDay PLU & the Women’s Center, The Monologues (formally “The Vagina Monologues”) is an evening of monologues about women’s experiences with their bodies. Topics include love, sex, rape, birth, masturbation, menstruation, orgasm and more. This year’s production features original monologues written and performed by PLU students! The cast will also be

  • including Adobe and Gateway Computer. Gibbs has also served as vice president of corporate communications at Nike, where she was chief communications strategist and spokesperson on a wide range of issues including regulatory concerns, production sourcing and labor practices, mergers and acquisitions and financial performance during one of Nike’s most rapid periods of global expansion. Prior to Nike, Gibbs was director of public relations at Mattel, Inc., where she was a member of an integrated brand

  • vice president at The Weber Group (later Weber Shandwick Worldwide), where she managed six offices and participated in managing key enterprise accounts including Adobe and Gateway Computer. Gibbs has also served as vice president of corporate communications at Nike, where she was chief communications strategist and spokesperson on a wide range of issues including regulatory concerns, production sourcing and labor practices, mergers and acquisitions and financial performance during one of Nike’s

  • PLU Theatre & Dance has a robust production history. Please take some time to browse some of our past shows.2021-2022MAKE ‘EM LAUGH: a musical revue October 1-2 @ 7:30pm; Eastvold Auditorium Director: Jeff Clapp; Music Director: Zachary Kellogg; Choreographer: Sarah Seder A hilarious evening of comedic songs performed by PLU’s brightest talents! Alpha Psi Omega presents THE LARAMIE PROJECT by by Moisés Kaufman and members of the Tectonic Theater Project October 28-30 @ 7:30pm; Studio Theatre

  • & Analysis IV Introduction to post-tonal techniques and the craft of the 21st century composer/arranger, including counterpoint, orchestration, and the development of thematic material into a composition. Prerequisite: MUSI 235 or consent of department chair. (4) MUSI 240 : Introduction to Music Education Introduction to the profession. History and philosophy of music education. Developmental characteristics of students and learning styles. Introduction to national and state standards. Lesson design with

  • , and methods that are central to the study of gender, sexuality, race, and their relationship to other identity categories. Central concepts include knowledge production, the social construction of identity, theories of intersectionality, reflecting on power and privilege, and experimenting with different aspects of praxis and activism. Open to all students; required for GSRS majors and minors. (4) GSRS 287 : Special Topics in Gender, Sexuality, and Race Studies To provide undergraduate students

  • CDs recording, editing, and production, and the members of the Lyric Brass quintet dedicated countless hours over the summer to the rehearsal and recording process. History of the group? The Lyric Brass quintet is the resident faculty brass ensemble at PLU.  The group is comprised of 5 members (Zach Lyman and Edward Castro, trumpets; Gina Gillie, horn; Rebecca Ford, trombone; and Paul Evans, tuba) all of whom are on faculty at PLU.  The Lyric Brass performs two concerts each year at PLU as part of

  • disappear, as do their beneficial qualities. Wrapping up our travels, my mind was buzzing with questions. How do we fix these problems? What happens if they persist? Are there any permanent solutions? And, if not, how will humans adapt to eminent changes? While only time will truly be able to answer those fully, I am hoping that as the documentary team continues research and production of “Tapped Out,” we will be able to shed light on some promising solutions as well. Read Previous In their own words