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Hsin-Yu Chang Foreign Language Teaching Associate Full Profile 253-535-8739
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Lise Mba Ekani Assistant Professor of French & Francophone Studies and Global Studies Full Profile 2
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will continue to assist a student in pursuit of the degree. What is the difference between Cross-Cultural and Alternative Perspectives Courses in the General Education Program?Both of these perspectives are required to fulfill the Encountering Perspectives on Diversity General Education Program element. Classes that qualify for cross cultural and alternative perspective are listed in the catalog. The title of a course will either reflect an “A” for Alternative Perspective or a “C” for Cross
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Cultural Criticism” course. “I am excited to get to work with the students and faculty at PLU, develop some great relationships, and help get some innovative ideas off the ground,” Hoyt said. Hoyt’s goal in the first year of the program is to introduce students to the study of visual communication and teach a variety of digital skills and software. Hoyt also hopes to use the study of image and argument as a piece in PLU’s mission to greater social justice and awareness. “I know that PLU is very much
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initiative of the Elmira Arts Project, whose aim is to promote historic preservation, cultural interaction, economic growth and to create great meeting places.“It’s been a really big success for us,” Sean says. A wide array of events take place at Raw Space, including comedy, musical performances from rock and roll to folk music, weddings, civic events, rummage sales, lectures, and other events with unique connections to Pacific Lutheran University. Sean got involved with the project in early 2011
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Studies Sources: Bacquart, Jean. The Tribal Arts of Africa. New York: Thames and Hudson, 1998. Bascom, William Russell. African Art in Cultural Perspective: an Introduction. New York: Norton, 1973. “Collections.” Burkina Faso; Lobi Peoples. http://uima.uiowa.edu/burkina-faso-lobi-peoples/. “Lobi Bateba Figure.” RAND AFRICAN ART. 2004. Accessed May 19, 2015. http://www.randafricanart.com/Lobi_Bateba_figure15.html “Lobi: People.” http://www.britannica.com/EBchecked/topic/345462/Lobi Siegmann, William C
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e r e n c e s: A Journal of Feminist Cultural Studies Vol. 19.1, 2008: 96-127. "Figuring the Dead Descartes: Claude Clerselier’s L’Homme de René Descartes (1664)." Representations Vol. 83, November, 2003: 38-66. Accolades Florence Howe Award in Foreign Languages, Women’s Caucus for the Modern Languages, for “Making Friends, Practicing Equality: The Correspondence of René Descartes and Princess Elisabeth of Bohemia,” 2015 Society for the Study of Early Modern Women Translation or Teaching Edition
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e r e n c e s: A Journal of Feminist Cultural Studies Vol. 19.1, 2008: 96-127. "Figuring the Dead Descartes: Claude Clerselier’s L’Homme de René Descartes (1664)." Representations Vol. 83, November, 2003: 38-66. Accolades Florence Howe Award in Foreign Languages, Women’s Caucus for the Modern Languages, for “Making Friends, Practicing Equality: The Correspondence of René Descartes and Princess Elisabeth of Bohemia,” 2015 Society for the Study of Early Modern Women Translation or Teaching Edition
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7. Service to the advancement of life, health, and wholenessOne of Martin Luther’s essential reforming insights insisted that while human beings are called to work diligently in this world, they can do nothing to work for or earn God’s favor. This counter-intuitive insight, discovered in Luther’s study of the New Testament, contradicted the cultural perception that human beings are called to strive for “perfection” or keep many religious rules and, in so doing, earn the favor of the divine. To
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solace is found in the fictive Alice in Wonderland. Carson’s journey converges with a fantastical landscape enlivened by literary, film and cultural references that theatricalize the revolutionary science of Silent Spring. “As an artist and storyteller I am fascinated by the human need to escape reality through fairytales and familiar stories. Time and time again, individuals walk the yellow brick road, fly towards the second star to the right, push through the looking glass, and fall down the rabbit
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