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(drums) and Vance Holtzinger (bass). instagram.com/deadamyband Gabe Fobes (guitar, piano, vocals) rounds out the bill with everlasting solo music. His original compositions are not to be taken lightly. instagram.com/gabe_creates_music   Thursday, September 22: Kemper Thornberry, J. Martin and Zari Alexandria Kemper Thornberry’s overdriven guitar displays vulnerability on stage. Known mostly as the frontman of Miss January, his solo work highlights his other skills. instagram.com/kemmp Martin of

clips while answering an exam or quiz question concerning it. This latter case can be especially useful in language or music courses. Students can also now easily add YouTube content within their discussion posts in Forums. For students to use the Audio Player in their posts, the instructor will first need to create a specific folder in the Resources tool, grant students upload permissions to that folder, and tell students which folder they should upload their audio content to.   What about non

Center for the Performing Arts at 7:30 p.m. The variety of choreographic works feature upbeat rhythms, strong and succinct movements, and elegant sophistication revealed through serious and comical pieces. Students have been preparing since mid-February. Usually choreographers have two-hour rehearsals, once a week. The rehearsal process varies from choreographer to choreographer. Some works are inspired by the music, which then inspires a concept that the choreographer wants to communicate through

. Huertas was also cast as Feste in the Seattle Shakespeare Company/Wooden O’s production of Twelfth Night, a role which he also played at PLU under the direction of Brian Desmond. Read Previous Streaming Concerts now a permanent reality Read Next The Choir of the West takes to the road LATEST POSTS PLU’s Director of Jazz Studies, Cassio Vianna, receives grant from the City of Tacoma to write and perform genre-bending composition April 18, 2024 PLU Music Announces Inaugural Paul Fritts Endowed Chair in

abuse victims, she said. Montgomery hails the PLU master’s program. Along with preparing students for future jobs in the field, it provides a network of contacts – fellow students and professors – who are always available to answer questions or provide support, she said. Read Previous Diverse music, dance styles mark Dance 2008 Read Next World expert addresses masculinity, violence COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad blocker enabled or

impact,” Comstock said. “If people come and have a really positive experience, then it’s going to be something they want to do.” Comstock concedes that no amount of planned activities, amazing music groups or inspired speakers will make the event a success. It’s all about the people who choose to participate. “The people are what is going to make the event really entertaining,” Comstock said. “If the right people aren’t there … the purpose of the event is lost.” Fifty-nine teams are registered to

graduated from PLU with degrees in education. For the next 15 years, Keith taught English in the Federal Way School District, while Clarice taught music in the Highline School District before becoming a stay-at-home mom. When a 10-acre spread became available next to the family ranch, the Swansons jumped at the chance to go into the business and embrace a new way of life. “We’d taught for years, it was time to try something else,” Keith Swanson said. “This way our five kids could run around, and they

students at colleges and universities across the United States. Provost Patricia O’Connell Killen, who is also Siburg’s advisor, nominated him for the award. “Timothy’s strong academic record and his involvement in music and his local congregation made him a strong candidate for an FTE fellowship,” she said. “Even more, his dual interests in religion and economics, especially in the question of how religious organizations are resources for communities’ economic and civic empowerment, made him stand out

during a break in rehearsal. Jack Sorensen, ’13, plays Stephen, who is a ghost, then nine years old, and then his adult self as the play ends.  Jill Heinecke, ’13, plays the youngest, 7-year-old Claire, at the beginning of the play. PLU student Jordan Beck ’12 has also composed music for the production and also serves as musical director for all the plays. Beck’s composition will be played on an instrument called a samisen, a banjo-like instrument that is the traditional instrument of choice to

the direction of Brian Desmond. Read Previous Do you like cookies? Cocoa? Coffee? Music? Do you like Christmas and cool Christmas videos? Read Next PLU joins Nobel Peace Prize Forum as a full sponsor COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad blocker enabled or are currently browsing in a "private" window. LATEST POSTS Caitlyn Babcock ’25 wins first place in 2024 Angela Meade Vocal Competition November 7, 2024 PLU professors Ann Auman and