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  • TACOMA, WASH. (April 6, 2016)-The seventh episode of “Open to Interpretation” features a discussion of the word “failure” among host and Associate Professor of Communication Amy Young, Associate Professor of Art and Design Jp Avila , and Assistant Professor of Business Kory Brown . “Open…

    perhaps a motif for the movie. Think Wes Anderson, Charlie Kaufman movie about the book called The Cheese Monkey. Amy Young:  The Cheese Monkey. Jp Avila:  The Cheese Monkey. Amy Young:  Also, it’s a great penname, The Cheese Monkey. Jp Avila:  If you do look for it, try to find the hardback version. The paperback version, leaves a lot to be desired. Amy Young: Writing that down. Kory, any book into a movie? Kory Brown:  I’m stumped. The first that came to mind were all of the Bourne books that I used

  • Arts, the Ragdale Foundation and the MacDowell Colony. His work appears in GQ, Los Angeles Times Sunday Magazine, Travel & Leisure, Saveur, and several anthologies. For the past decade, Goodman has directed the undergraduate and graduate creative writing program at Miami University in Oxford, Ohio. During that time he has organized and staged three major literary festivals: Diversity in African American Poetry; Translating Cultures: Latin American and Latina/o Writers Festival; and Miami

  • Rick Barot’s poem “The Galleons” is published in The New Yorker magazine… Posted by: hassonja / March 16, 2018 March 16, 2018 “The Galleons,” a poem by Rick Barot, Associate Professor of English and Director of the Rainer Writing Workshop at PLU, was published in the March 12, 2018 issue of The New Yorker magazine. This recent publication adds The New Yorker to an already impressive list of publications in which Professor Barot’s poems and essays have appeared including Poetry, The Paris Review

  • Women.“It’s impressive,” continued Collis, an actor and educator with Seattle-based Freehold Theatre Lab Studio. “Everybody shared a little about who they are.” Half of the group came through security to gather in the small classroom and recite their writing. The other half was already there. Despite that stark difference, the group shared a lot in common. All of them allowed themselves to be vulnerable and share pieces of their identity in the emotional reading of their prose. The experience was

  • Voyager 1 spacecraft as well as Carl Sagan’s prose reflecting on the image. In the photo, Earth appears as a single pixel – “a mote of dust suspended in a sunbeam.” For this project, Dr. Gillie collaborated with video editor and PLU student Zixuan Guo. We recently met with Professor Gillie to discuss this project. This is clearly a film and composition that have something to say about climate and care for the earth.  Yes, I think artists can provide critique and commentary on the state of the times in

  • Geistesgeschichte and has two further articles currently under review with the Journal of Austrian Studies. Clayton Regehr is a senior English / Writing major, also completing minors in History and Holocaust and Genocide Studies. He completed this article as part of his work in English 320: Intermediate Creative Nonfiction. Read Next The Trail to Social Justice: Ultrarunning Meets Dark Green Religion LATEST POSTS Gaps and Gifts May 26, 2022 Academic Animals: Making Nonhuman Creatures Matter in Universities May

  • demonstrated unparalleled contributions to the world of music composition. She has been commissioned an impressive 22 times since 2012 to write music for chamber ensembles and brass orchestras, including her groundbreaking composition “Octave 9: Pale Blue Dot,” commissioned by the Seattle Symphony for their $6.7 million-dollar performance space. Inspired by the prose of Carl Sagan, audio from the Voyager Golden Records, and the imagery of the James Webb Space Telescope, the piece combines stunning visuals

  • told him he made my day. I got off the call, and then there was screaming – I think I frightened my daughter.” It was the first writing contest Andrews had ever entered. She is currently in her final year of PLU’s master of fine arts in creative writing degree program, the Rainier Writing Workshop, working hard to complete her final manuscript. Andrews was only notified of the contest one week prior to the submittal deadline. Realizing this was the only year she was eligible – it was only open to

  • standard equipment, the other half (Ingram 116, Rieke 210, and Garfield 102) have been outfitted with hybrid digital systems. The details of  “hybrid digital systems” may be rather boring, but the results may be exciting for users across campus. In addition to VGA inputs, these new podiums now have HDMI inputs for laptops, so users will be able to connect their digital devices.  Even the installation was easier: rather than pulling six 30 foot cables through the ceiling, this new hybrid system requires

  • . Zambezi’s growing list of clients has included Teva, Comcast, the Los Angeles Lakers, the Portland Trailblazers, and Vitaminwater. “Creativity is so subjective, you have to be ready for a lot of rejection,” Ford said. “Luckily, that makes the successes that much more fun.” Describing the creative process, Ford said that he just starts broad and looks for angles into an idea. His approach is to write and keep writing until he feels good about an idea. “Sometimes it’s a process of elimination,” Ford said