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  • Students who are interested in applying to PLU can take a free lesson with Dr. Gina Gillie. The lesson is an hour long and is an excellent opportunity to get to know the PLU horn studio and music facilities. While you are here, you can also observe an ensemble rehearsal such as the Wind Ensemble, Orchestra, or Choirs. To schedule a lesson and/or visit, contact Dr. Gillie at 253-535-7607. You may also schedule a visit with the Admissions Office .

  • LivestreamConcerts are streamed online for free.  Anyone may tune in and share! WATCH NOW Selected PerformancesThe Shadow of Sirius by Joel Puckett Sunrise at Angels Gate by Philip Sparke Serenade, Op. 7 by Richard Strauss Finish Line by Cindy McTee, RMP Publishing. In Wartimeby David Del Tredici, Boosey & Hawkes Movement 1, Hymn Movement 2, Battlemarch Symphony in B-flatby Paul Hindemith, Schott Movement 1, Moderately Fast, with Vigor Movement 2, Andantino Grazioso Movement 3, Fugue

  • just before the first rehearsal. The audition material will be chosen from the repertoire for the orchestra but we will not publish which passages they will be asked to play ahead of time. It’s important that everyone have all of the parts prepared in their entirety. Please find the program list and audition materials below and read the notes regarding specific instructions for your respective instrument.Program Carpe Diem! by Richard Meyer Finale (from “Serenade for Strings”) by Tchaikovsky, arr

  • at brownec@plu.edu with questions. Rehearsal Times Guitar Orchestra rehearses on Thursday evenings, 5:30-6:15 PM in MBR 116. Guitar Ensemble(s) rehearses immediately afterwards, 6:15-7:00 PM, also in MBR 116. Performances PLU Guitar Orchestra & Ensemble has a concert in Lagerquist Concert Hall every semester. In addition, there is usually one chapel performance per semester and occasional run-out concerts. Instruments A standard classical (nylon-string) guitar is preferable, but steel-string

  • arose songs of long-suffering, lament, and liberation.3:45 - 4:45 p.m. | Joint Choir Rehearsal of the PLU Choir of the West and The National Lutheran Choir | Lagerquist Concert Hall | Open to all conference participantsJoint Choir RehearsalConference Participants are welcome to join PLU’s Choir of the West and The National Lutheran Choir for their Joint Rehearsal where we will be allowed to watch the everyday life and work of the choirs as they embody the conference theme. As a part of the rehearsal

  • About University Concert BandMembership and Registration The PLU Concert Band is open to all current PLU students without audition. Students wishing to join can register for MUSI 371, complete the registration form in the music office, or email Dr. Gerhardstein for more information. Participants come from the following areas: PLU non – music majors PLU music majors on primary and/or secondary instruments PLU Community members  REHEARSAL SCHEDULE Tuesday and Thursday afternoons during fall and

  • Entrance AuditionBRASS Standard sonata or concerto movement; OR Standard solo etude; OR Selection of standard orchestral excerpts GUITAR (Classical Emphasis) At least one major and minor scale, in two octaves; Two contrasting movements of pieces from the solo repertoire (e.g., works by Sor, Carcassi, Tárrega, Villa-Lobos, Brouwer, or similar) HARP An etude (e.g., Pozzoli, Bochsa or LaRiviere), or similar study; OR A section of the Level 2 or 3 warm up from On Playing the Harp by Yolanda

  • Dance 2019 – Collaborations Posted by: Reesa Nelson / April 11, 2019 April 11, 2019 By Kate Williams '16Dance collaboration has many meanings. Traditional collaborations include choreographers and composers working together to create a soundscape, or providing costume ideas for designers. Many choreographers collaborate with dancers to create the movement for a dance. Dance 2019 – Collaborations will feature two choreographed pieces by Sarah Seder, one performance from guest artist, Sam Picart

  • Dance 2019 – Collaborations Posted by: Reesa Nelson / April 11, 2019 April 11, 2019 By Kate Williams '16Dance collaboration has many meanings. Traditional collaborations include choreographers and composers working together to create a soundscape, or providing costume ideas for designers. Many choreographers collaborate with dancers to create the movement for a dance. Dance 2019 – Collaborations will feature two choreographed pieces by Sarah Seder, one performance from guest artist, Sam Picart

  • ClassroomsXavier Hall 21210Seminar Room University ClassroomsXavier Hall 25040Classroom Garfield Book CompanyCommunity Room70Flexible Garfield Book CompanyBoard Room8Seminar Room Performance CentersEastvold Auditorium652Auditorium Performance CentersKaren Hille Phillips Center Studio Theater133Theater Performance CentersKaren Hille Phillips Center Gallery185Flexible Performance CentersLagerquist Concert Hall534Auditorium Performance CentersMary Baker Russell Music Center Choral Rehearsal Room75Flexible with