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Scandinavian Migrant Literature Norwegian Women's Literature Sigrid Undset's Authorship Books Pakkis, Khalid Hussain, translation to English by Claudia Berguson and Ingeborg Kongslien (Nordic Press 2013) Selected Presentations Society for the Advancement of Scandinavian Study National Conference, "Undset in Exile: The Storyteller and Information Soldier" (2014) Society for the Advancement of Scandinavian Study National Conference, "Ever Yours, Sigrid: Sigrid Undset as Epistolary Friend and Author" (2013
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the clinical course site on the learning management system, including the performance guidelines, the syllabus, grading rubrics, etc. attending all clinical experiences to achieve the required number of clinical hours for the program arrive on time and prepared to actively participate in the clinical experience report concerns and issues to the appropriate faculty as soon as the issues or concern arises in the clinical setting Student Authorship & Inclusion on Scholarly Presentations and
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Professor by Toko Ogawa, translated by author Lizard by banana Yoshimoto, translated by Ann Sherif Korean The Vegetarian by Han Kang, translated by Deborah Smith Norwegian Four Stories by Sigrid Undset, translated by Naomi Walford Polish Drive Your Plows Over the Bones of the Dead by Olga Tokarczuck, translated by Antonia Lloyd-Jones People on a Bridge by Wislawa Szymborska, translated by Adam Czerniawski Portuguese The Hour of the Star by Clarice Lispector, translated by Benjamin Moser Russian The
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, and should be able to identify the characteristics of sources that are credible and those that are not (authorship, credentials, URL, publishing organization, etc.). Upon completion of the program, a student receiving a BFA in Design, a BA in Studio Arts, or a BA in Art History will be able to: Identify and interpret artistic expression from a variety of current and historical sources; Demonstrate an awareness of artistic expression as a form of communication; Practice creative exploration in a
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. The ancient text contains three-hundred-and-five poems of unknown authorship. Professor Zhu notes, “at that stage in China, the idea of authorship or the idea that someone possessed ownership over a specific poem did not exist.” While this seems quite foreign to a world driven by ownership and copyrights, in pre-modern China, poetry was public domain and for public use. Xi Zhu was born in Ningbo, China, and earned his undergraduate degree in Shanghai. After graduating, he came to the United States
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Gateway program in Telemark. She was the first recipient of the Svare-Toven Endowed Professorship, through which she promoted a contemporary focus on Scandinavian migration, peacebuilding and gender equality. Claudia’s research focuses on the Norwegian author Sigrid Undset. She has published several articles on Undset’s historical novels and is now researching Undset’s life in exile in the United States during World War II. She also works as a translator, primarily of literature of new immigrants to
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, this Western myth has dissolved, and the unique authorship of work is recognized. Nevertheless, artists are often only known by nicknames to scholars. Partially this is because in this culture, an individual’s given name is closely associated with his or her personality, and is believed to determine the failure or success of one’s actions. Calling this full name is thought to bring one’s personality to surface, and cause the individual to act according to the meaning of his or her name, or in a way
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site on the learning management system, including the performance guidelines, the syllabus, grading rubrics, etc. attending all clinical experiences to achieve the required number of clinical hours for the program arrive on time and prepared to actively participate in the clinical experience report concerns and issues to the appropriate faculty as soon as the issues or concern arises in the clinical setting Student Authorship & Inclusion on Scholarly Presentations and Publications – All students
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Adopted May 2015 Purpose This policy establishes guidelines for creative works, inventions, improvements, and discoveries resulting from the work of Pacific Lutheran University faculty, staff, students, research associates, visiting scholars, and anyone employed by PLU. Creative Works of Authorship Copyrightable works created by University employees, other than faculty, as part of their job, are deemed “Works Made for Hire” and are owned by the University. Copyrightable works are described in
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Authorship of the Johannine Prologue Kelsey Hauge, Feminist Theodicy: the Social Consequences of Oppression and the Relationship of Women and God Annie Kilgore, Converting Christians to Christianity: Toward an Ecclesiology of Praxis in a World of Destitution and Injustice Allison Low, Nature, Red in Tooth and Claw: A Tillichian Evolutionary Theodicy Affirming the Goodness of God in Light of Evolution’s Harsh Realities Joe Maki, Wellhausen’s Dilemma and the Shifts in 20th Century Biblical Studies: From a
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