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The Seventh Annual Lutheran Studies Conference will take place from 10 a.m. to 5 p.m., on Thursday, Sept.
Anderson University Center, with events also in Lagerquist Concert Hall. This conference will focus on the liberating and reforming role singing has played in the Protestant tradition from its very beginning. Participants will be invited to participate in song and learn about the role music has played in the Lutheran and Gospel music traditions.Following the conference, the National Lutheran Choir, directed by Dr. David Cherwien, will perform at 7:30 p.m. Thursday, Sept. 28 in Lagerquist Concert Hall
Dr. Marit Trelstad, University Chair in Lutheran Studies -
Sarah Seder’s passion for dance has taken her all over North America. Now, she returns home to the Seattle area bringing with her unique experiences, a vast repertoire of skills, and an effervescent personality. She will lead PLU students through Ballet 1, Contemporary Dance 1…
high school dropout prevention programs. I also enjoyed taking courses in theatre, film, photography, and music as well as performing in dance, music, and theatre productions. After I graduated, I returned to the Seattle area and co-founded a flamenco dance company called Barrio Flamenco. I performed with Barrio Flamenco from 2007-2008. In 2008, I co-founded Seattle-based Sapience Dance Collective and co-directed the company until 2016. We produced annual shows, created Converge Dance Festival, an
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Sarah Seder’s passion for dance has taken her all over North America. Now, she returns home to the Seattle area bringing with her unique experiences, a vast repertoire of skills, and an effervescent personality. She will lead PLU students through Ballet 1, Contemporary Dance 1…
high school dropout prevention programs. I also enjoyed taking courses in theatre, film, photography, and music as well as performing in dance, music, and theatre productions. After I graduated, I returned to the Seattle area and co-founded a flamenco dance company called Barrio Flamenco. I performed with Barrio Flamenco from 2007-2008. In 2008, I co-founded Seattle-based Sapience Dance Collective and co-directed the company until 2016. We produced annual shows, created Converge Dance Festival, an
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Students share why they love studying music at PLU Posted by: vcraker / December 8, 2021 December 8, 2021 Music is a big deal at PLU. Each year, more than 140 concert performances present students, faculty artists and exciting guest performers with an incredible array of musical styles and media. Kylie Cordero ‘23 and Noatak Post ‘23 discuss their passion for music and how their journey at PLU inspires them to pursue careers in music. Learn more at plu.edu/music. Read Previous How to be a Lute
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Inaugural Christmas Music Scholarship Concert premieres Saturday, December 13 Posted by: Mandi LeCompte / November 13, 2014 November 13, 2014 New concert fills need for additional campus performances Pacific Lutheran University’s annual Christmas Concerts are a beloved seasonal celebration on campus and across the Northwest. This year, more than 150 students will perform the world premiere of Oregon composer Robert Kyr’s Christmas Oratorio in Seattle, Portland and Tacoma, and hundreds will try
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July 8, 2008 Face the Music Inevitably, worried parents will arrive on music professor Greg Youtz’s office doorstep after their child has announced they want to become a composer. “Now what?” the parents ask Charged with running the university’s composition program, Youtz usually succeeds in calming the parental fears during such visits. No, composing isn’t exactly a growth industry, but for those who are called to compose, there’s really no escaping the urge. “I tell the worried parents that
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PLU Alumna and Gospel Music Superstar Returns to Campus Posted by: Sandy Dunham / February 10, 2015 Image: Crystal Aiken ’97 returned to PLU in December 2013 to perform at the annual holiday luncheon. (Photo: John Froschauer/PLU) February 10, 2015 By Matthew Salzano ‘18PLU Marketing & CommunicationsTACOMA, Wash. (Feb. 10, 2015)—On Thursday, Feb. 12, Pacific Lutheran University alumna and gospel music star Crystal Aikin '97 returns to campus for a signing of her sophomore album, All I Need.Aikin
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By Sarah Cornell-Maier ‘19. This Fall, Pacific Lutheran University is introducing a new class that serves as a gateway to the Innovation Studies Program . Hist/Phil 248: Innovation, Ethics, and Society is a team-taught course that combines many different fields of study into one. It…
experience for new Innovation Studies minors. Innovation Studies at PLU is a multi-disciplinary program that teaches students how to be creative and entrepreneurial in everything they do. After sitting down with Professor Michael Halvorson, one of the instructors, I think that the new course will be a fascinating introduction to the minor–with a few surprises. Two Classes in One Michael Halvorson, Director of Innovation Studies An important aspect of Hist/Phil 248 is that it is really two classes built
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TACOMA, WASH. (March. 16, 2016)- Charles Reinmuth ’19 didn’t think twice when he was offered the chance to spend five weeks in the summer getting acclimated to life at Pacific Lutheran University and earning his first six college credits for free. “I couldn’t pass up…
prepare first-year students to successfully navigate their transition from high school to college. The program provides incoming first-year students the opportunity to earn six credits at no cost while focusing on skills paramount to thriving in college: reading, writing, critical thinking, dialogue and discussion.Thanks to Summer Academy, Reinmuth – a music education major from Vancouver, Washington – said that he felt calm and comfortable by the time he returned to campus more than a month later for
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that came to be. When we discussed our plans for the fall semester, the music faculty knew that we needed to focus on what we can do. Instead of asking what is impossible this year, we asked what’s impossible in a normal year. It didn’t take long to realize that the normally busy schedule of rehearsals, practicing, classes, performances, productions, etc., limited our availability to engage in collaborations with professional choral ensembles and major symphony orchestra musicians. Our artform was
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