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eyes could not grasp the splendour in its totality,” Ešenvalds wrote. “Looking at the sky, I fell backwards into the snow and could not help making a snow angel. Then I whistled and hummed the Latvian folksong on the arctic lights.” That night his multimedia symphony was born. Ešenvalds composed Northern Lights, a separate work for unaccompanied choir, water-tuned glasses and chimes for PLU’s Choir of the West in 2013. The choir premiered the work on tour that year and later performed it at the

divisions. “Endowment funds are the engine behind us,” Killen said. The funds provide student and faculty stipends and cover research and travel costs. “When donors choose a student-faculty research endowment as one of their options, they are making it possible for PLU to do the type of integrated teaching, learning, research, public engagement that is essential to the university carrying out its mission,” she continued. Among the many donors in attendance were Naomi and Don Nothstein, founders of the

happenstance in 1992, the second by invitation in 2005. He visited the country a third time recently. His travels to China are evident in his band piece on water dragons, called, appropriately, “Three Dragons.” In the piece, the notes twist and undulate with a sinewy and slick undertone in the background. The image of a dragon gliding through water appears. “I guess a true composer, believes against all common sense, that making a piece of music is an important act,” Youtz mused. “It’s an important act

, Bergman noted. And there will always be a craving to own something rare. At one market in Guiana, he found a pygmy anteater for sale. “Who would want that?” Bergman asked the shopkeeper trying to sell it. “Who wouldn’t?” the shopkeeper shot back. Read Previous Making strides at a feverish pace Read Next From the grill to the gas tank COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad blocker enabled or are currently browsing in a "private" window. LATEST

a crowded, noisy courtyard in Warsaw in 1939. Soldiers were screaming, and crowds, his neighbors, were being loaded into boxcars. Suddenly, Elbaum’s mom, Pauline, appeared out of the crowd, waving a paper in front of the German guards. She worked in a ghetto factory making uniforms for the Nazis, and had managed to get her manager to sign a reprieve for her family – even though the entire block where the his family lived was being shipped off that day. George Elbaum shares his story of survival

go back and study more to be able to work with those equations,” Fortuner said. “The idea of having another challenging problem is exciting.” Read Previous ‘Making Seafood Sustainable’ Read Next PLU’s School of Business ranked as one of the best COMMENTS*Note: All comments are moderated If the comments don't appear for you, you might have ad blocker enabled or are currently browsing in a "private" window. LATEST POSTS Three students share how scholarships support them in their pursuit to make the

have been equally successful in their careers, from forensics and foreign relations to education and environmental policy-making. The PLU filmmakers are talking to them all, exploring the deep relationship these Namibians have with each other and with the university they call their “home away from home”— all the while gleaning insights into themselves as well as the graduates. “In the film, each of the Namibia Nine describes how what they lived and learned at PLU is engrained in every aspect of

.” Change is working in the derivatives section of the firm, crunching numbers and providing estimates as a junior analyst on portfolios. A transfer student from Tacoma Community College, Change eventually would like to return to Zimbabwe and start his own venture capital business. His experience at Russell will be a key part of making that passion a reality, he said.  Rachael Nelson ’15 found her summer internship at the Fred Hutchinson Cancer Research Center by trolling the flyers in PLU’s Rieke

new kind of story … of a remarkable group of women who dared to dream of new possibilities for themselves and their country. Director Fruchtman said, “By making Sweet Dreams, we wanted to cast a light on a visionary grassroots initiative. Both the drumming and ice-cream projects embody the idea that Rwandans need not only the means to survive, but also the means to live … ways to reconnect with joy, hope and previously unimagined possibilities. Both demonstrate the power of thinking outside the