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  • candidates can win in less densely-populated, more rural areas. My end product took the form of a full campaign plan for a leftist candidate in WA-06, following the model of professional consulting firms.Acknowledgments:                                                                                                                      Thanks to my mom and dad for consistently supporting me over the last two years, thanks to Piper Ragland and Brian Coyle for helping me find my voice, and thanks to Jordan

  • about the earth. She’s got IT!” In addition to her many travels with the Nicholas Payton SEXTET, Kendrick is also the featured vocalist with the Ellis Marsalis Quartest and the New Orleans Jazz Orchestra. The Orchestra won a Grammy Award in the 2009 “Best Large Jazz Ensemble Album” category for their latest release, Book 1 on which Kendrick is featured. She is also an assistant professor of jazz voice at Cornish College of Arts in Seattle, Wash. August 4 – David Deacon-Joyner David Deacon-Joyner is

  • impressive rehearsal and classroom facilities. From early in the morning to late at night, students practice, study, collaborate, and share their passion for musical growth. Bachelor of Music in Performance Concentrations: Instrumental Organ Piano Voice Graduates from the last 5 years: Their jobs K-12 education worldwide Seattle Opera Vashon Opera Metropolitan Youth Symphony Celebrity Cruises Private music studios of graduate's strengths Worship Music Directors Freelance Opera Singers, Composers, and

  • use of music to build on this critique of hierarchies. Writer Isobel McArthur uses karaoke to “involve as well as entertain the audience; seeing this show is like a speed read” (Playbill) Giving the actors a unique way to provide a voice to the traditionally voiceless servants, McArthur describes the karaoke style as an ode to the karaoke bars of Glasgow (https://www.youtube.com/watch?v=4DHOFpyrfqs&t=8s.).Songs included in the show are: “Everyday I Write the Book” by Elvis Costello, “Young Hearts

  • of a conservatory student Instrumental assessments and recitals in the BM may not repeat repertoire from previous assessments and recitals. Collaborative repertoire may be included, but should represent less than half the presented repertoire BA/BMA At least two pieces from contrasting periods in tandem with Capstone Project Proposal VOICE BM A Half recital (30 minutes of Music) in a variety of styles and languages; students should display an understanding of foreign language translation, a

  • . Can I audition in more than one area? Yes, but here are some facts which may help you decide if you want to do so: • Music Scholarships are awarded in a single specific area (i.e., voice or cello or percussion). Auditioning in multiple areas does not increase the amount or breadth of your award. • The area in which an award is given is the area in which you will be required to take private lessons and be in an ensemble to sustain your scholarship. This does not preclude you from taking lessons or

  • career and take it to the next level.” While in Manhattan, Rottle and a couple of friends from the master’s program— Meaghan Burke (cello/voice) and Tristan McKay (piano/harpsichord/toy piano)—founded the new-music ensemble Dead Language, a trio that “seeks out music that has something to say, and says it.” And if that sounds a little wide-ranging, so is Dead Language: The ensemble improvises and performs interdisciplinary works that include everything from literature and white noise to toys and wolf

  • the award at the Spirit of Diversity Awards. PLU’s Student-Athlete Advisory Committee Honored as Organization of the Year Pacific Lutheran University’s Student-Athlete Advisory Committee (SAAC) was recognized as PLU’s Organization of the Year at this year’s Celebration of Leadership. SAAC is an organization comprised of representatives from each of PLU’s 19 varsity athletic teams, who volunteer their time to serve as a leader and voice of their respective team. This year, SAAC dedicated its

  • inspiring as an artist just to see what I could do with my career and take it to the next level.” While in Manhattan, Rottle and a couple of friends from the master’s program— Meaghan Burke (cello/voice) and Tristan McKay (piano/harpsichord/toy piano)—founded the new-music ensemble Dead Language, a trio that “seeks out music that has something to say, and says it.” And if that sounds a little wide-ranging, so is Dead Language: The ensemble improvises and performs interdisciplinary works that include

  • terms of lowering carbon pollution and transitioning in an equitable and just way that support all Washingtonians. This bill establishes benchmarks to fully transition our state’s electricity system to clean energy by 2045 and requires us to get off coal by 2025.As an environmental advocate, what do you wish more people understood about the world around them?  Voting in every election every year is the most powerful way for you to have your voice heard. Local elected officials like city or county