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  • active servant-leader in the Evangelical Lutheran Church in America, Dr. Bussie spent the last twenty years teaching religion to undergraduates at ELCA colleges and serving as the founding Director of the Forum on Faith and Life at Concordia College. Every day she is amazed and grateful that gets to: 1) write and tell her story; 2) empower other people to write and tell theirs; and 3) accompany marvelous people like you on your journey of faith, hope, and healing. Personal WebsiteMs. Jennifer

  • the Writing Seminar and the First-Year Inquiry Seminar. The program is structured to provide a nurturing, supportive learning environment to help students adjust to the rigors of college and find direction for life after college. And, as is always the case at PLU, the classes are small, providing maximum interaction with professors and classmates. First-Year Writing Seminars are focused on compelling themes – such as “Dreams,” “Vanished Peoples and Lost Civilizations” and “Sustainability

  • personnel; explore their options at PLU sponsored career fairs, and taking advantage of faculty and staff expertise in their pursuit. I have ACT scores to submit in all subject areas except writing, can I still submit my scores?Yes, you can still submit your ACT scores, but you will need to take the West-B writing test. MAE Alternative Routes FAQsSupport Letter from school districtIf you are working for a school district, submit a Letter of Support from your school’s human resources to confirm their

  • (4) SPED 520: Teaching Students with Special Needs (2) J-term (January): Classes will be offered in the afternoon/early evening with the possibility of meeting times on Saturdays. Students will continue their practicum from the Fall. EDUC 528: Reading and Writing Across the K-8 Curriculum (2) EDUC 564: The Arts, Mind, and Body (2) Spring Semester (February – May): Students are full-time in their student teaching placements and attend a student teaching seminar at PLU one night a week. EDUC 563B

  • ,Lizard Boy is a “somewhat-autobiographical solo-show-with-three-actors” that follows a boy with lizard skin who fights evil and learns about love. Huertas attributes some of his triple-threat skills in performing, composing and writing to his theatre education at PLU. “Doing theater at PLU was awesome!” he said. Specifically, Huertas recalls that the study of Shakespeare and the Theatre Program‘s emphasis on language “stuck with [him] forever.” “How does this language inform what the characters are

  • rock and roll. Her diverse artistic collaborations have helped to infuse her work with a rhythmic power and intensity. Critics have remarked of Ms. Fujiwara’s music, “The ear is forever tickled by beautifully judged music that manages to be sophisticated and accessible at the same time,” “Contains a very rare attribute in contemporary classical music: happiness.” (Fanfare Magazine); “She knows how to exploit all the resources of string instruments alone and together; her quartet writing is very

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  • rock and roll. Her diverse artistic collaborations have helped to infuse her work with a rhythmic power and intensity. Critics have remarked of Ms. Fujiwara’s music, “The ear is forever tickled by beautifully judged music that manages to be sophisticated and accessible at the same time,” “Contains a very rare attribute in contemporary classical music: happiness.” (Fanfare Magazine); “She knows how to exploit all the resources of string instruments alone and together; her quartet writing is very

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  • during the second half of the University Wind Ensemble’s performance in Lagerquist Concert Hall on March 20. Written by composer Daron Hagen, the piece was commissioned by PLU, the University of Michigan, Illinois State University and Western Illinois University. The composer of operas, chamber and orchestral works, and over two hundred art songs and cycles, Hagen is currently writing an opera based on the life of Amelia Earhart for the Seattle Opera. Hagen was the subject of band director Ed

  • described it, he “pushed the re-set button.” He decided to earn his master’s – then his Ph.D. – in European history. And soon thereafter, he found himself back at his alma mater teaching about Martin Luther and Reformation Germany (and writing books about the subject, of course). He realizes it is an odd combination: Not many people are experts in cutting-edge computer programming and 500-year old political and religious history. He’s also aware that some people might suggest that, in studying 16th

  • with lizard skin who fights evil and learns about love. Huertas attributes some of his triple-threat skills in performing, composing and writing to his theatre education at PLU. “Doing theater at PLU was awesome!” he said. Specifically, Huertas recalls that the study of Shakespeare and the Theatre Program‘s emphasis on language “stuck with [him] forever.” “How does this language inform what the characters are going through? That’s something I’ve always been very fascinated by.” Huertas also used