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LanguagesWaist-Deep in Mud Read Previous Learning to Pay Attention to the Environment and Religion with Professor Sarah Robinson-Bertoni Read Next The Importance of Dead Languages LATEST POSTS Gaps and Gifts May 26, 2022 Academic Animals: Making Nonhuman Creatures Matter in Universities May 26, 2022 Gendered Tongues: Issues of Gender in the Foreign Language Classroom May 26, 2022 Introduction May 26, 2022

borrowing and making costumes. We used ticket sales to reimburse our designers. Kenzie was the main director, and I co-directed, particularly the scenes involving music. I did some choreographing and production work, which included poster design and distribution of money. How did things turn out? Ruggeri: It was successful and sold out the studio theater for the run of three days—two nights and one matinee. We also conducted a survey gauging the lessons the audience took away from the show. About a

million to PLU, making her the single largest benefactor in university history. The three-year, $20 million endeavor completed in two distinct phases will officially open with the production of Cole Porter’s Tony Award–winning “Kiss Me, Kate” on the rechristened Eastvold Auditorium Main Stage. Jeff Clapp, who has spent so many of his years in this building, both as a student and a professor, will direct production. From the exterior, it appears little has changed since the days of the Chapel-Music

. Independent student shows outsource everything, even borrowing and making costumes. We used ticket sales to reimburse our designers. Kenzie was the main director, and I co-directed, particularly the scenes involving music. I did some choreographing and production work, which included poster design and distribution of money. How did things turn out? Ruggeri: It was successful and sold out the studio theater for the run of three days—two nights and one matinee. We also conducted a survey gauging the lessons

Tacoma says it didn’t seem like a big deal, since he never really experienced overt discrimination himself. Now, he says he knows better.“If you’re making jokes about it, people will think it’s funny,” Kamari said. “Then that will spread the problem rather than spreading awareness.” Kamari’s pivot in perspective was spurred by a monthlong interactive partnership with Pacific Lutheran University and its students who are committed to social justice. The January Term history class “Fighting Racism in

Society Endowment has been active on campus. George Long graduated from PLU in 1966 with a degree in biochemistry. He went on to work in pharmaceutical research across the country, teaching in universities and making a home and starting a family in Vermont. Although Long studied biochemistry, the endowment is interdisciplinary. “I think this was something that he wanted to be connected to science,” Hagen said, “but also to society.” This summer, three students were chosen for work across the natural

borrowing and making costumes. We used ticket sales to reimburse our designers. Kenzie was the main director, and I co-directed, particularly the scenes involving music. I did some choreographing and production work, which included poster design and distribution of money. How did things turn out? Ruggeri: It was successful and sold out the studio theater for the run of three days—two nights and one matinee. We also conducted a survey gauging the lessons the audience took away from the show. About a

million to PLU, making her the single largest benefactor in university history. The three-year, $20 million endeavor completed in two distinct phases will officially open with the production of Cole Porter’s Tony Award–winning “Kiss Me, Kate” on the rechristened Eastvold Auditorium Main Stage. Jeff Clapp, who has spent so many of his years in this building, both as a student and a professor, will direct production. From the exterior, it appears little has changed since the days of the Chapel-Music

Jarvis) behavior after a ball at the Uppercross Great House and exclaims “Love me you idiot! Love me or kill me now! I can’t bear it!”. Mary overhears her, and Anne explains it away as a Shakespeare recitation. This shows that Mary is oblivious, but it also complicates the role of Anne’s private conversations with the audience. The scene highlights how the breaking of the fourth wall in Persuasion is merely a gesture. To contrast this, in Fleabag, the Hot Priest (Andrew Scott) is the only one who can

perpetrator behavior and empowering bystander action,” she said. In the military, reports of sexual assault increase when soldiers return from deployments and/or training—FlorCruz calls that “operational tempo”—and one of her SHARP staffers says that concept applies to colleges, too. “There’s an initial decompression when people tend to act with less discipline,” said 1st Lt. Katherine Rowe, deputy program manager. “It’s event-driven, and people are more vulnerable (in these situations). There’s no