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international music production for Walt Disney Records. From 2003 to 2008, I taught at PLU as a Visiting Lecturer of Spanish, an experience which solidified my decision to pursue doctoral studies in Latin American literary and cultural studies. My research examines how Panamanians construct national and racial identities through and against their national symbol and patrimony: the Panama Canal. I also am interested in how the 1989 US Invasion of Panama is included/excluded from canal history, and more
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international music production for Walt Disney Records. From 2003 to 2008, I taught at PLU as a Visiting Lecturer of Spanish, an experience which solidified my decision to pursue doctoral studies in Latin American literary and cultural studies. My research examines how Panamanians construct national and racial identities through and against their national symbol and patrimony: the Panama Canal. I also am interested in how the 1989 US Invasion of Panama is included/excluded from canal history, and more
Area of Emphasis/Expertise -
Justin Huertas’ “Semi-Autobiographical” Musical Premieres at the Seattle Repertory Theatre Posted by: Mandi LeCompte / April 27, 2015 Image: Justin Huertas and William A. Williams in Lizard Boy. Photo: Alabastro Photography. April 27, 2015 By By Matthew Salzano ’18 PLU Marketing & CommunicationsOrdinarily, it takes many years for a Theatre Major to earn the opportunity to write, compose or star in a high-profile musical production. However, one Lute is dramatically defying that expectation
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Justin Huertas’ “Semi-Autobiographical” Musical Premieres at the Seattle Repertory Theatre Posted by: Mandi LeCompte / April 27, 2015 April 27, 2015 By By Matthew Salzano ’18PLU Marketing & CommunicationsOrdinarily, it takes many years for a Theatre Major to earn the opportunity to write, compose or star in a high-profile musical production. However, one Lute is dramatically defying that expectation. Justin Huertas graduated almost six years ago, in 2009, with a Bachelor of Fine Arts in Theatre
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Drinking in the British Military in Colonial India”Nathan Couch“The Transformation from Ale to Beer in Early Modern Britain” Nathan Couch This project examines the role that hops played in the development of brewing beer in the 18th Century, while also looking at how brewing beer shaped 18th Century British and Scottish society. Hops changed the way beer was made; moving the production away from ale and ale wives and into the hands of men who produced and traded hopped beer. Todd DizonDrunken Bonds
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million to PLU, making her the single largest benefactor in university history. The three-year, $20 million endeavor completed in two distinct phases will officially open with the production of Cole Porter’s Tony Award–winning “Kiss Me, Kate” on the rechristened Eastvold Auditorium Main Stage. Jeff Clapp, who has spent so many of his years in this building, both as a student and a professor, will direct production. From the exterior, it appears little has changed since the days of the Chapel-Music
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million to PLU, making her the single largest benefactor in university history. The three-year, $20 million endeavor completed in two distinct phases will officially open with the production of Cole Porter’s Tony Award–winning “Kiss Me, Kate” on the rechristened Eastvold Auditorium Main Stage. Jeff Clapp, who has spent so many of his years in this building, both as a student and a professor, will direct production. From the exterior, it appears little has changed since the days of the Chapel-Music
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script and storyboards were meticulously critiqued and edited until we were ready to begin production. Below is an example of one of the storyboards we used for this project. Stop Motion Animation Video is actually a series of images that give the illusion of motion, and stop motion animation is a technique that takes full advantage of that fact. To achieve the desired effect, we created scenes out of felt and took still photographs, moving the objects in the scene in small increments (about a
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her the single largest benefactor in university history. The three-year, $20 million endeavor completed in two distinct phases will officially open with the production of Cole Porter’s Tony Award–winning “Kiss Me, Kate” on the rechristened Eastvold Auditorium Main Stage. Jeff Clapp, who has spent so many of his years in this building, both as a student and a professor, will direct production. From the exterior, it appears little has changed since the days of the Chapel-Music-Speech Building
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say all of art— is only ever about a poet’s feelings. But anyone who has ever taken a poetry-writing course knows that the making of a work of art may begin with the artist’s feelings, but to be any good it has to be brought into the realm of craft. In the poetry-writing classes I teach, I like to imagine the members of the class wearing lab coats —which is to say that the analytical work involved when we discuss each other’s poems is vital to a thorough understanding of how those poems work. As
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