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  • cosmopolitanism,” Director David Deacon-Joyner remarked. “His musical and verbal language was both elegant and earthy. His countenance was regal and fetching. He bridges the gap between the language of entertainment and religious expression. His style has often been compared to visual artists, with his orchestra being his sonic palette.” Ellington’s 1935 Reminiscing In Tempo, an elegy for his mother, gave us a glimpse of his faith expression through his music, as did a portion of his Symphony in Black from

  • October 27, 2008 Holocaust survivor recalls the child victims While presenting a story of survival Robert Herschkowitz paused for the audience to gaze at a photo of several women and their children walking unknowingly to their death. “People will remember the scene of a photograph,” he said. “The visual impact I think is most important.”Their names are unknown, said the 70-year-old Holocaust survivor, but the when, May 1944, and the where, Auschwitz Concentration Camp, are forever engraved into

  • their sport.” Upon returning to campus each student-athlete received a shirt that read: “Together we will.” The motto was chosen to convey a culture that encourages every student-athlete to do their part to keep one another healthy and able to play. This includes wearing masks, practicing social distancing and coordinating bus seats and roommates to limit exposure.Campus Status DialLearn more about the campus status dialThe campus status dial is a visual representation of our staged approach to

  • people are at low risk for contracting the virus. Higher levels of risk are associated with some behaviors or environmental conditions; the following chart, provided by the Chicago Department of Health, offers a visual summary of risk for transmission based on activity.Stop the Spread | Stop the Stigma | Know Your Risks Activity Risk Raising for Monkeypox Transmission Direct contact with infectious rash, scabs, or body fluids Sexual or intimate contact (please note that condoms do not protect against

  • through personal examples, and storytelling of personal background. Struggles and challenges. You can provide intimate details about your life but only as much as you want. If you are not comfortable disclosing certain information, you are not obligated to do so. But it is not necessarily a disadvantage to share your special circumstances. It’s a chance to let reviewer know of the hardships and challenges that you’ve overcome or may still be dealing with. As long as you can explain how you’re dealing

  • us how data affects marketing strategies in her role as a marketing consultant and how PLU’s MSMA program helped her learn how to focus on the small details to impact the big picture.Starbucks Designer Hansel Doan Talks About PLU's MSMA ProgramHansel Doan ’10 MSMA ’17 is a visual designer at Starbucks. He talks about how PLU’s MSMA program helped him prepare to launch his career in design.How Marketing Analytics Can Improve CreativityIn this video, Hansel Doan, a graduate from PLU’s Master of

  • offers studentsThe individualized major gives students the chance to design and propose their own program of study, charting a course through PLU’s curriculum that allows them to pursue their interests and prepare for their future. Recent individualized majors include: Music Business Global Health Business of Visual Art Movement Linguistics Digital Media Holocaust, Genocide & Indigenous Studies “It was kind of serendipitous that after not being able to really do anything vocationally, I was

  • is traditional song and dance. While dancing in the event, officials of the Sande wear sowei masks, which represent the spirit of the society. The sowei mask is a “helmet mask” that is worn over the head and the rest of the dancer’s body is hidden by blackened raffia fibers and cloth. Since the mask serves as the visual connection to the spiritual world, the officials’ faces and bodies are not visible, and thus conceal any human attributes. This way, the leaders can fully embody the

  • is traditional song and dance. While dancing in the event, officials of the Sande wear sowei masks, which represent the spirit of the society. The sowei mask is a “helmet mask” that is worn over the head and the rest of the dancer’s body is hidden by blackened raffia fibers and cloth. Since the mask serves as the visual connection to the spiritual world, the officials’ faces and bodies are not visible, and thus conceal any human attributes. This way, the leaders can fully embody the

  • is traditional song and dance. While dancing in the event, officials of the Sande wear sowei masks, which represent the spirit of the society. The sowei mask is a “helmet mask” that is worn over the head and the rest of the dancer’s body is hidden by blackened raffia fibers and cloth. Since the mask serves as the visual connection to the spiritual world, the officials’ faces and bodies are not visible, and thus conceal any human attributes. This way, the leaders can fully embody the